| Lao She(1899-1966)was a modern and contemporary Chinese dramatist with multiple identities,including novelist,educator,editor,writer,and social activist.He created 43 plays in his lifetime.These dramas straddle China’s modern and contemporary society in time and space,connect and reflect the humanistic spirit,historical memory and the demands of the times in China’s modern and contemporary society.They have a literary structure that develops synchronously with the Chinese social structure.Participate in and act on the development of Chinese modern and contemporary drama and literature.However,So far,the breadth and depth of Lao She’s drama research and dissemination has continued to increase,and the "rediscovery" of Lao She’s literary territory and spiritual value has become more and more solid.The existing achievements have paid attention to Lao She’s cultural mentality and national-state consciousness,but have neglected Lao She’s "realism" drama view as a whole,systematic spiritual structure,ideological change,and value connotation.Starting from Lao She’s multiple identities,the research results of a holistic and systematic exploration of Lao She’s inner creative ideological standpoint,humanistic and philosophical feelings and feelings of historical times are relatively limited.The dissertation aims to place Lao She’s literary activities in the interaction and dialogue of the times,history and cultural trends from the perspective of Lao She’s drama and drama creation.He extracts his unique values and personal style of ideology and aesthetic vision,interprets the various phenomena implied in Lao She’s drama creation practice and drama concept,and explores its causes,performance and its far-reaching influence.Investigate and grasp the historical development and characteristics of Lao She’s drama view in different periods,and reveal its connotation,composition and value function.In this way,we can enter and understand Lao She’s drama view more deeply and systematically,in terms of the rich and complex structural world,value connotation and practical function.The dissertation is divided into five chapters: The first chapter "The Generation and Development of Lao She’s Viewpoint of Drama",based on the social form and cultural context before and after the Anti-Japanese War,starting from Lao She’s life experience,literary theory and drama creation,expounds the period of Lao She’s Anti-Japanese War.The functional structure,artistic characteristics and cultural representation of the drama view;Chapter Two "The Adjustment and Change of Lao She’s Drama View in the New Era",based on the current situation after the founding of the People’s Republic of China,starting from Lao She’s experience and knowledge,further explores how Lao She’s drama view is in the new era.The construction,adjustment and new changes after the founding of China,explore the deep logic,value connection and spiritual structure behind Lao She’s conscious approach to mainstream ideology and in-depth social reality,and examine the writer subject forged by the socialist realism concept of literature and art,and its narrative Methods and aesthetic characteristics;Chapter Three "Connotation and Value Function of Lao She’s Viewpoint of Drama",this chapter combines Lao She’s drama,novel creation,literary theory and literary criticism research,and extracts the fundamental and core value system of Lao She’s drama view."Realistic Dramatic Views" of Sexual Status.In-depth discussion of the theoretical origin,artistic evolution and core characteristics of Lao She’s "realist drama concept",and in-depth explanation of its unique connotation and value function;Chapter 4,"The Requisition and Integration of Lao She’s Drama Concept",expounds Lao She’s views on China The absorption,transformation and application of ancient cultural ideas,modern cultural ideas and Western drama art.Explain how these ideas influenced Lao She,and how Lao She integrated the essence of these ideas into his drama view and expressed it;Chapter 5,"The Interaction between Lao She’s Drama Creation and Drama View",mainly expounds Lao She’s drama view and his drama The interactive relationship of "influence" between creations refers to the gain and loss of Lao She’s drama view on his drama creation,and the influence of his drama creation activities on Lao She’s drama view. |
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