Imagery Of "Exile" In Landscape Poems And Paintings In The Yuan And Ming Dynasties

In ancient times,"exile" has rich connotation,involving politics,literature,art and other aspects.As a special kind of experience,exile provides inspiration for literary creation and establishes a set of aesthetic concepts and terms for the literature associated with it.The image of "exile" is not only used by those who are truly convicted and sentenced to prison.The works related to it may come from real exiles,or exiled officials,or frustrated literati drifting in rivers and lakes...Regardless of whether they really have relevant experience,these writers regard themselves as exiled,so as to become a member of this literary system of exile,so as to obtain emotional resonance.The literary images based on this are also extended from exile to relegation,frustration,rejection,retreat and other marginalized physical and mental situations.This state of creation also affects painting.The object of this paper is the image of "exile" in landscape poems and paintings during the Yuan and Ming dynasties,which can be regarded as a real artistic interest model.Secondly,it also refers to the works related to the exile.Especially in landscape paintings,works related to "exile" and not only refers to a particular subject,but by "xiaoxiang landscape as the main body of a series of related subject,or rather,interprets the connotation of landscape painting,set a train of thought,in the later evolution for a taste of art and appeal,with close links to the exile literature,with the aid of will and Painting poems lyric,It is full of strong metaphor.At first,it is mostly for traveling landscape and small landscape,reflecting the theme of parting and homesickness.Later,with the popularity of reclusive landscape,it is also presented in the form of new images,showing the autumn and winter scenery,painting misty,vast river scenery and mountain living in cold forest,conveying the visual effect of barren and cold.This paper intends to use the research method of combining literature and images,with the help of the poem and painting works related to exile in the Yuan and Ming dynasties,to discuss the attitude and citation of the literati in this stage to the "exile landscape" in the Northern Song Dynasty.The paintings related to exile at this time add the understanding of images and poems of previous generations,and have the characteristics of The Times;The surviving painting poems seem to have a distant relationship with the history of art and have not received more interpretation,but in fact have a close interaction with the images of this period.When we look at the poem and painting works rich in exile metaphor in this period with a more diversified and open attitude,it is possible to show the face of the history of art in Yuan and Ming Dynasties in a more three-dimensional way.The image of "exile" in landscape poems and paintings is associated with the nostalgic interest and the study of landscape in the study at this stage.Finally,it can dig out the influence of exile interest as an artistic concept on Traditional Chinese art,and interpret the poems and paintings influenced by it from the perspective of art history,and analyze the attitude of scholars in the Yuan and Ming Dynasties to exiled figures and landscape paintings in history.At the same time,In the process of combing the deeds and works of literati painters who had exile experience in the late Yuan and early Ming Dynasties,this paper reveals the change of"exile" image in the history of landscape painting,and the potential context of the evolution from "uniformity of poem and painting" to "self-discipline of brush and ink"in the development process of literati art.