Wulan Muqi And Its Art From The Perspective Of Social Change

Wulan Muqi is a small literary and art team established in the Inner Mongolia grassland in the 1950s.Wulan muggling is equipped with light equipment,the team members are specialized and capable,and the team members are few and capable,so it is easy to flow and suitable for the characteristics of the vast grassland in Inner Mongolia with few people,inconvenient transportation and scattered living.Wulan Muqi integrates inheritance and innovation,creation and performance,and integrates performance,publicity,guidance and service functions.At the beginning of the founding of the People’s Republic of China,it played a very important role in the inheritance and innovation of Inner Mongolia grassland music,dance,instrumental music,quyi and drama art,the integration of traditional culture and modern culture,the training of ethnic literary and artistic talents,and the modernization of literary and artistic life in the vast agricultural and pastoral areas.Ulam animal husbandry riding takes root the ethnic culture tradition,the practice of the construction of new socialist literature and art,walked out of a strong ethnic characteristics and local characteristics,basic road of literature and art characteristic of the era,the substantial results and explored for decades to create the experience is worth further study,for traditional inheritance were ulam animal husbandry riding today,carries forward the spirit of ulam animal husbandry riding,the development of the cause were ulam animal husbandry riding,It has important practical significance,and further has important reference significance for the construction of new literature and art in the whole Ethnic minority areas of China.Based on the field investigation data accumulated by myself,this paper adopts the methods of cultural anthropology,ethnomusicology,music ethnography and related theories of cultural change,and combines the methods of background theory,musical morphology and oral history to regard the rise and fall of Wulan Muqi and its art as a cultural phenomenon.To understand its history and change in the context of its social and cultural context and historical process.Research method,therefore,the main line is embodied in the following two aspects: one is the social and cultural background to the survival of ulam animal husbandry riding and as a whole,from the interactive relationship between them,discuss ulam animal husbandry riding to create,spread,forming and its transformation,and change behind the economic,social,cultural,political,the driving force;Secondly,starting from the art of Wulan Muqi,the author tries to pay attention to the creation and performance characteristics of Wulan Muqi’s music,song and dance,instrumental music,quyi,drama and other arts as well as the relationship between them and the life of grassroots people,so as to present the construction and development process of grassroots literary cause in Inner Mongolia since the founding of the People’s Republic of China.This paper focuses on Wulan Muqi and its art from the perspective of "diachronic and synchronic".In this paper,wulan Muqi is placed in the social changes and historical context of the early stage of the founding of the People’s Republic of China,the Cultural Revolution,and the reform and opening up since the founding of the People’s Republic of China,and discussed the establishment process,organizational structure,work functions and operation mode of Wulan Muqi.It should be noted that this paper focuses on the historical expression of the creation and formation of Wulan Muqi,and its core content is to sort out and summarize the operation mode of Wulan Muqi and its art in the initial sense.On the basis of this,the paper discusses its changes in the process of social change and the reasons behind it.On the synchronic space span,this paper select create early and has a relatively complete the survival and development of history,but also each other regional contrast of pastoral areas and farming and pastoral areas and nine were ulam animal husbandry riding,through carries on the field investigation and oral interview,choose has the representative significance of individual players,typical significance of each group,The study is carried out by using vivid events and works as concrete examples.The results of this paper can be summarized as follows:First,this paper believes that the history and change of Wulan Muqi can be divided into three stages: the start-up and formation period(1957-1966),the transition period(ups and downs during the "Cultural Revolution" period,the market-oriented transition after the reform and opening up),and the new era and new development period.This paper holds that the history of wulan Muqi’s founding and its changes are inseparable from the social,economic and political conditions and environment since the founding of the People’s Republic of China.Wulan Muqi is a top-down construction of socialist literary and art construction under the guidance of Mao Zedong thought,a combination of the Party’s literary and art line and the actual situation in ethnic areas,and a grass-roots literary and art unit in the process of local cultural modernization with characteristics of times,features and practicability.Second,Wulan Muqi is a grass-roots literary and artistic unit of initial significance,and an important practical exploration of the construction of grass-roots literary and artistic life in ethnic areas of New China.It has formed a specific mode of literary and artistic activities,and is a whole with organization,specific life and operation mode.Third,new music with the content of domestic revolutionary songs and red revolutionary songs on the grassland is the main form of Ulan Muqi in its early stage.Meanwhile,traditional folk art also occupies a place,thus forming a performance content mode of coexistence of creative music and folk music.For grassroots people,Wulan Muqi is an ethnic symbol,which creatively uses ethnic culture and local art to connect with farmers and herdsmen.On the other hand,the state expropriated folk art,incorporated it into national events,and made it a part of it.Thus,through Ulan muching,the state went out of the folk and participated in the national cultural system by riding traditional art.At the same time,Ulan muqi has tolerance,absorption and innovation for foreign multi-culture.Fourth,the Period of "Cultural Revolution" is the first period of transformation of Ulan Muqi,the content and form of performances from the past diversity,diversity to unity,singleness.During this period,the function of policy publicity is extremely enlarged and filled with given content,form and activity mode.Five is that since the reform and opening,ulam animal husbandry riding and art for the second transition,from the combination of "cultural revolution" period,the monotony,turned to diversification,diversification and opening up and enter the reform and opening up,the market economy background,and art and its ulam animal husbandry riding into the new context of social and cultural change,especially in the context of market economy,Ulan Muqi began to explore the market performance model.Anda combination as a representative of the new ethnic music band,to ulam animal husbandry riding team mode of market exploration,and brought a new enlightenment,and the combination and anda anda class,where ulam animal husbandry riding to establish small ethnic music band combination and the mode of "team culture" is ulam animal husbandry riding "team short and hard working,actor mastering many skills while specializing in one" mode of inheritance and extension.Sixth,in November 2017,After General Secretary Xi Jinping wrote back to ulan Muqi members of Sunit Right Banner,Ulan Muqi entered a "new era" of all-round development.Wulan Muching has become an important part of the national public cultural service system.This combination of market and public welfare,performing arts and talent training,inheritance and innovation is a bright spot in today’s Wulan Muqi art cause,and a useful experience worth learning from.As a cultural phenomenon,Wulan Muqi and its art are inseparable from the social,economic and political conditions and environment of the People’s Republic of China in modern times.The emergence and development of Wulan Muqi and its art are a projection of the modern culture,society,life and history of Inner Mongolia Autonomous Region.The fate of Wulan muqi and its art is unavoidably and closely linked with its living environment and restricted by it.The "change of Wulan Muqi itself" is the product or part of this "background change".The emergence,rise,decline and recovery of Wulan Muqi and its art is a fresh content in the process of social and cultural change.