Respecting “classics” And Advocating “art”: A Study Of The Han Dynasty Stele Culture In Quf

In Chinese epigraphy,the inscriptions in Qufu Han Dynasty witnessed the changes of Chinese society and history,and well recorded the inheritance of Confucian culture.Qufu Han Dynasty inscriptions have a lofty position in both academic history and art history,and their number ranks first in the country.There are more than 40 Han inscriptions in Jining area,and Qufu has 36 squares,and the earliest Han Dynasty inscriptions.Shi Yi is also in Qufu,and there is a saying in academic circles that "the Han steles in the world are half Jining,and the Han steles in Jining look at Qufu".This paper takes Qufu Han Dynasty inscriptions as the research center.Based on the previous research results,this paper examines and explores from the perspective of academic thought history and concept history in an all-round way,supplementing the deficiencies of previous research.Explore its historical and cultural functions,and promote the expansion and deepening of Confucianism and art research.It is of great academic value and practical significance to conduct in-depth research on the inscriptions of the Han Dynasty in Qufu.The first chapter writes about the background and technical conditions of the Han Stele.The Qufu inscription is composed of one of the earliest surviving Western Han inscriptions,"Northern Shandong carved stone".From "Northern Shandong carved stone",""Stone Carving in the Second Year of Wufeng" to the Eastern Han Dynasty "Ritual Stele","Yiying Stele","Shi Chen Stele","Kong Zhou Stele" and other classic stele inscriptions,the most complete preservation of the most complete from inception to Evolution,and finally developed into a mature "Monument"generation chain and evolution history.The second chapter explores the cultural implication of the Han steles from the perspective of ritual and music system and utensil making.In the process of the formation of the stele,the piercing and halo of the stele,as one of the very expressive features of the Han stele shape,explore the philosophical connotations of the stele.Through the differentiation and analysis of the script and calligraphy under the background of the dispute between the classics and the ancient texts,the relationship between the disputes between the classics and the ancient texts and the official changes is revealed.The third chapter explores the real historical status of Confucius in the two Han dynasties and the development of Confucian classics in the two Han dynasties,as well as historical facts such as the line officials,the disciples and the old officials,based on the inscriptions inscribed on the Eastern Han Dynasty.To explore the various social relations and power latitudes and latitudes hidden behind the inscriptions on the "Three Steles of the Confucian Temple",the ceremony of"Sacrificing Confucius and Chongru" was deliberately carried out for several large-scale political and cultural gatherings,and then re-understood the changes in political thought in the late Eastern Han Dynasty.The fourth chapter,from the perspectives of cultural history,writing history and calligraphy history,shows that Qufu Han Dynasty inscriptions are in the process of official change.On the other hand,the Qufu Han Stele witnessed the formation of the "calligraphy field" in the history of Chinese calligraphy,the establishment of a new writing order and the awakening of the consciousness of "calligraphy consciousness".This paper argues that although the inscriptions on inscriptions in the Han Dynasty in Qufu are mainly based on Confucian cultural ideas,they contain multiple ideological resources.The study of Han steles is helpful to deeply explore the connotation of Han Dynasty’s ideology and culture,so as to provide traditional cultural resources that can be used for reference for the development and construction of contemporary society.