Aesthetic Research On Contemporary Western Urban Public Art Landscape Based On Phenomenology

In today’s global integration and the rapid urbanization process of our country,urban public art landscape,as an important carrier of a city,carries the city’s culture,spirit and historical civilization.With the continuous change of aesthetic trends and the rapid development of media technology,urban public art landscape has gradually become an important container for carrying urban functions,representing urban images,and preserving urban context.At present,the aesthetic theory of urban public art landscape is insufficient,and the coupling mechanism between relevant internal elements is not clear,and as a result,the relationship between material existence and ideology is broken,which makes the development of urban public art landscape be confronted with difficulties.For the western urban public art has a early start,through exploring the mechanism of its development and evolution and introducing it into the urban renewal design of our country,it will facilitate the development of urban public art in our country.How to analyze the aesthetic mechanism of contemporary western urban public art landscapes at the theoretical level under the influence of multiple elements including humanization,technicalization,and miniaturization and deduce the aesthetic experience mode of contemporary western urban public art landscapes under the coupling of multiple elements have become an important issue that urgently needs to be traced,interpreted,and judged.This study takes the aesthetic of the contemporary western urban public art landscapes as the research object,and disassembles it into three levels of "object aesthetic","image aesthetic" and "bild aesthetic" by defining the paradigm and the content.This paper explains the contemporary western urban public art landscapes from the perspective of phenomenological aesthetic theory,sums up the innovation of design techniques,the renewal of aesthetic cognition and the transformation of aesthetic subject consciousness of contemporary western urban public art landscapes relying on the development of society,summarizes the characteristics and attributes of the aesthetic research framework and creation techniques of contemporary western urban public art landscapes,introduces the theory of reduction in phenomenology,and analyzes from two levels of aesthetic object and aesthetic subject.Regarding object aesthetic,from the three aspects of perception,form and material,the multi-dimensional aesthetic representation of sensory synesthesia,the diversity of forms and the multi-effect of technology are explained.Regarding image aesthetic,from the three aspects of intellectual establishment,intellectual change and thinking core,it reveals the cognitive retention and internalization of urban public art landscape in aesthetic experience,constructs a cognitive map between perceptual phenomena and aesthetic images,and explains the perceptual dimensions and ideological connotations of urban public art landscapes;regarding bild aesthetic,from the three aspects of space,time and narrative,it deconstructs the structural relationship of urban public art landscape aesthetic perception,and explores the dimensions of urban public art landscape closely related to aesthetic perception and their corresponding schematic representations.Based on the analysis and research on the object aesthetic,image aesthetic and bild aesthetic of contemporary western urban public art landscapes,this paper further proposes the subject mode of aesthetic experience.Starting from the three perspectives of form experience empathy under object aesthetic,emotional experience empathy under image aesthetic,and the integration of place experience under the bild aesthetic,the relevant public art landscape design enlightenment ideas are proposed to help people better sort out the relationship between the structure and complexity of emotional outbursts and the public art landscapes.To sum up,in the face of the complex evolution process of the contemporary western urban public art landscapes,aiming at the research object of the contemporary western urban public art landscapes,with the help of phenomenological theory and methods,a theoretical framework for the contemporary western urban public art landscape aesthetics based on phenomenological theoretical cognition is systematically constructed.The aesthetic system of contemporary western urban public art landscapes is established with three subsystems of object aesthetic,image aesthetic and bild aesthetic as the core and the main mode of aesthetic experience of contemporary western urban public art landscapes has been put forward with the trinity of fellow feeling,empathy and integration,which helps promote the overall construction of urban public art landscapes both in theory and practice.