| Wang Chaowen is one of the outstanding literary theorists,aestheticians,sculptors,art educators,and one of the pioneers and founders of the theory and aesthetics of Marxism in New China.Wang Chaowen is a aesthetician who has experienced a unique experience.He has entered the aesthetic research from art creation.He was the president of the Chinese Academy of aesthetics and edited the first introduction to aesthetics after the founding of the People’s Republic of China.He has been in the front line of guiding the practice of art creation for nearly 70 years,and has been involved in the whole process of the construction of contemporary Chinese literature and art theory.As a aesthetician who is proficient in artistic creation and theoretical practice,he presents a unique style in his aesthetic works,which adopts a spiral rising research method from experience to theory,and from theory to experience.According to the current popular cognitive frame in China,Wang Chaowen’s theoretical works have both logical speculative theoretical form and poetic perception of traditional understanding The way.When the two discourse modes are simply divided into the West and China,and they are considered to be "heterogeneous" and "different generality",they are unified in the works of Wang Chaowen.Wang Chaowen is rare among the famous aestheticians in China,whether it is the uniqueness of academic career or the diversity of discourse styles.By studying Wang Chaowen’s attempt to establish contemporary aesthetics with Chinese characteristics and carefully exploring the deep power which can be drawn from it,it can be found that there is always an internal logical connection in Wang Chaowen’s decades of literary and artistic aesthetics thinking.That is,the national thought is a deeper foundation and starting point in Wang Chaowen’s aesthetic theory.The nationality of Wang Chaowen’s aesthetic thought has two closely related forms:explicit external appearance and implicit internal regulation.The former is Wang Chaowen’s inheritance of the theory generating mechanism and traditional theory discourse mode of Chinese tradition,the latter is Wang Chaowen’s absorption and acceptance of the excellent national literary and art tradition,and on the basis of adhering to the national position,the people nature is the main purpose and the great one The mass character is the representation,the fusion of foreign excellent ideological and cultural resources,forming a national aesthetic thought with the times.Chinese academic research needs to "resort to local issues in China and base on its academic standard" [yaowenfang: return to China,promote Chinese academic research,"China Social Science Journal,January 9,2018(6th Edition).]Thus,it creates "new exploration space and innovation opportunity" [yaowenfang: Comments on productive literature,Journal of Yangzhou University(HUMANITIES AND SOCIAL SCIENCES EDITION),No.1,2019,pp.5-15.]。This study attempts to explore the theoretical basis,diachronic evolution and internal logic of Wang Chaowen’s aesthetic national thought construction from the unique perspective of Wang Chaowen’s aesthetic nationality thought.From his aesthetic point of view,this paper analyzes the characteristics of various and unified internal and dual dimensions in his aesthetic national thought,and tries to analyze the three-dimensional structure of point,line and surface of Wang Chaowen’s aesthetic theory In comparison,the author combs out the basic features of his national thoughts,in order to make more accurate value orientation for Wang Chaowen’s contribution and provide inspiration and reference for the construction of contemporary Chinese aesthetics subjectivity.This paper consists of introduction,five chapters and conclusion.In the introduction part,the research background and significance of this research topic are discussed.Based on the unique way of speech,the different theoretical outlook of the people and the dispute over Wang Chaowen’s position in the history of contemporary Chinese aesthetics,the author first points out that nationality constitutes the most important background and central axis of Wang Chaowen’s aesthetics theory.The related research of Wang Chaowen’s art aesthetics is the front desk of his theory,and his national position is the background of his theoretical research Part of the term "front desk" and "backstage" are used in the terms of dean Mac Cannell,a famous anthropologist in the United States,and "front desk" refers to the reality of seeing,and "backstage" refers to the deep-level authenticity of origin.See Tour: a new theory of the leisure class.].The process of aesthetic construction of Wang Chaowen is always pursuing a kind of "Chinese experience" which belongs to the Chinese nation.In fact,it can be said that it is a process of constantly seeking and establishing "Chinese experience".His Chinese experience directly brings up his aesthetic theory with national characteristics.Secondly,through combing the research status of Wang Chaowen aesthetics theory at home and abroad,it is found that the research on Wang Chaowen’s national thought has not been paid full attention to and attention by the academic circles.But it is of great significance to study the uniqueness and deep cultural motivation and performance of Wang Chaowen aesthetics to break some rigid thinking patterns and promote the diversified development of Chinese aesthetics in the new century.The first chapter mainly explores the origin and context of the national issues in aesthetic research.The paper insists on the macro-level approach and micro approach,and explores the concept of "nationalization" and "nationality" from three levels: the reflection of nationality,aesthetic nationality,local context and the value base of Wang Chaowen’s aesthetic nationalism.First,it points out that nationality is the symbol of national cultural tradition,historical life and customs.It makes the face of a nation and a country have realistic distinguishing characteristics.Secondly,the reflection of nationality in aesthetic category is to reflect the unique cognition and identity of the nation in aesthetic consciousness,aesthetic experience and aesthetic ideal,and more intuitively refer to the unique aesthetic nationality of the Chinese people with history,present,whole and stability in the process of development.In the context of the reconstruction of aesthetic Nativity in the process of globalization,the paper discusses the relationship between nationality and world in the 20 th century Chinese literature theory and new period,and proposes that the nationality of literary theory is an outstanding issue,and there is no standard for all intellectuals to abide by.Finally,the paper discusses the value base of Wang Chaowen’s aesthetic nationality,points out that X Wang Chaowen has made original and national characteristics academic contribution to contemporary Chinese aesthetics,inherits and develops the tradition that Chinese aesthetics attaches importance to spiritual ideal and pursuit,and contains the essence of Chinese aesthetics in its own aesthetic thoughts and aesthetic experience and presents it in a unique way,which becomes the beauty of contemporary literature and art The academic theory creates a conscious academic paradigm of national thought.The second chapter focuses on the construction of Wang Chaowen’s aesthetic national thought.This paper studies the cross study of the historical reality and the theoretical basis,internal logic and diachronic evolution of Wang Chaowen’s aesthetic national thought.First,the author summarizes and combs out four theoretical bases of Wang Chaowen’s aesthetic national thought,and points out that he chooses and transforms Lu Xun’s thought of "popularization of literature and art" from his own experience.He has fully absorbed and developed as a firm implementer of Mao Zedong’s thought of "literature and art for the masses of the people".Under the guidance of Marx aesthetics,he extended the interpretation of materialist dialectics The interpretation is "Dialectics of art",taking ancient Chinese culture as the parent and root,selectively absorbing and filtering the Chinese classical aesthetics and Western aesthetic views.Starting from the current aesthetic problems of literature and art and the aesthetic practice full of national characteristics,from the artistic creation practice and aesthetic experience of "knowing the heart",filtering and integrating the contents and extension of the original theory,enriching its aesthetics The national thought of.Secondly,the paper analyzes the internal logic of Wang Chaowen’s national thought,and points out that the national ideology of Wang Chaowen aesthetics is based on the people’s nature to a large extent,and this kind of people belonging to the bottom of the public often has obvious characteristics of popularity.This nationality or people’s character also has the basis of legitimacy because it has the most large number of audiences.This kind of popularity,in fact,is in line with the democratization of the power subject in the world.Therefore,the national discourse and Marxism are closely combined.Finally,the author traces and analyzes the diachronic evolution of Wang Chaowen’s aesthetic national thought.Through returning to the situation of Wang Chaowen’s study,he interacted with the specific response and relationship of the times,and the evolution of his thoughts.From the intersection of the two dimensions of diachrony and academic theory,the evolution of his aesthetic national thought has experienced three different stages: first,the "Application of the world" in the budding stage of the new art creation theory.Under the guidance of the goal of "classics",Wang Chaowen constantly seeks the path of "application",finds the support of "enjoying and enjoying" in the mutual learning of art and politics,and realizes the balance between aesthetic and political.Second,the aesthetic sensitivity of "own me in" in the development stage.Wang Chaowen’s theoretical research focus has shifted to the study of national aesthetic sensitivity of "own myself",and the fresh subjective consciousness is re infused from the traditional Chinese aesthetic spirit and expression.Third,the nationalization of "no ancient cannot be present" in sublimation stage.Wang Chaowen,with a distinctive banner of national culture,put forward a series of enlightening arguments and thoughts such as "no ancient times can not be today".The third chapter makes a deep study of the connotation of Wang Chaowen’s aesthetic national thought,and clarifies the connotation of the national thought from Wang Chaowen’s aesthetic viewpoint by means of text analysis and comparative analysis.It points out that in Wang Chaowen’s national thought,the combination of "Commonness" and "individuality" forms three logical connotations of his national thought: one is "beauty of each beauty" and "taking God out of shape","beauty in different aspects" and "aesthetic adaptation","expensive and anti original" and "returning to the original" The national character of "I am" evolved step by step in the content logic level;secondly,the commonness of "clear way and ignorance","the sense of commonness without resemblance" and "the popularity of rational and permanent existence" all work together in the "balanced harmony" nationality of practical logic;thirdly,through the dialectics of "separation and separation",the integration of "no one is not reckless" to realize the goal logic level "each has its own advantages" ”The nationality of "nationality" fully reflects the "nationality" of Chinese style perception thinking from the perspective of Chinese experience,the "practicality" of deep experience of creation,the "people nature" rooted in "the masses",serving the "masses",and always paying attention to the "era" of the creation frontier and the real colleagues.The fourth chapter is the extension of the prescriptive problem of Wang Chaowen’s XII aesthetic national thought,mainly studies the characteristics of "double dimension" in Wang Chaowen’s aesthetic national thought.First,it combs the regional dimension of Wang Chaowen’s aesthetic national thought.The ethnic diversity of China includes the diversity of region and ethnicity,and the local character is the cradle of the national character.From Wang Chaowen’s theory,he tries to define the nationality from the perspectives of the local,national and global origin,the erosion of the local nature and the crisis of the nationality caused by urbanization.Second,it combs the time dimension of Wang Chaowen’s aesthetic national thought.The age and nationality are always a pair of important related categories.By summarizing the attention and sensitivity of Wang Chaowen to the dimension of time,and the concept of nationality of time and nationality and extension of differences,Wang Chaowen is a major feature of Wang Chaowen’s aesthetic national thought.At the same time,he endows nationality with a feature of connecting with the place and keeping pace with the times is the valuable value of Wang Chaowen’s aesthetic national thought.The fifth chapter focuses on the specific theoretical construction and contribution of Wang Chaowen,a aesthetician and literary theorist.First,Wang Chaowen’s work on the modernity transformation of Chinese traditional aesthetics.Traditional Chinese aesthetics is not only of historical significance,but also the viewpoint and discourse of Chinese traditional aesthetics can be renewed in the process of continuation.Wang Chaowen inherited the traditional aesthetic discourse mode in his academic writing,and also made the traditional theoretical resources complete the continuation and regeneration in the practical application.Secondly,Wang Chaowen made a positive contribution to the work of Marxism Sinicization.The process of Sinicization of Marxist literary theory is also the process of its nationalization.In the second half of this chapter,the author summarizes and sorts out the work of the Chinese Marxism literature and art theory which Wang Chaowen participated in.In the conclusion part,the first part of the above-mentioned content is systematically summarized and deepened,and the success and shortcomings of Wang Chaowen’s aesthetic theory of national thinking are summarized.At the same time,Wang Chaowen’s national thought of aesthetics is not only of historical value,but also has very important practical significance.It is very valuable to re-sort and Review Wang Chaowen’s National Thoughts on Aesthetics under the background of advocating to stick to the position of Chinese culture and construct the subjectivity of Chinese civilization.Wang Chaowen held a kind of attitude based on his own nation and absorbed and integrated Marxism.In Wang Chaowen,Marxist aesthetics realized and completed its process of Chinese.In the process of Marxism aesthetics in China,our subjectivity and our nationality have also been reflected.At present,we need to find ourselves again in culture and in theoretical research.Wang Chaowen’s theory writing provides us with a fascinating theoretical research example for reference. |
PDF Full Text Request