A Study On The Poems Of The Literati In Hangzhou Garrison In Qing Dynasty

The Hangzhou garrison is located in the Jiangnan area.It was a large-scale and high-status garrison location in the Qing Dynasty of the garrison system.It was established in the early years of Shunzhi and went to ruin following the fall of the Qing Dynasty.In the course of more than two hundred years of development,the relationship between this group of banner people and the people of Han has gone through a process from conflict and opposition to harmony.With the in-depth exchanges between the people of the Hangzhou garrison and the society of Han,Hangzhou's longstanding cultural heritage has also attracted the contemplation and study of the people of the garrison.The Hangzhou Garrison Bannermen wrote poems in Chinese,leaving behind abundant works of Chinese poetry.These poems not only have similarities with Han literati poems,but also have distinctive ethnic characteristics.They are typical of the integration of national literature in the Qing Dynasty.This article takes the poetry of the literati in Hangzhou garrison as the research object,and examines the macroscopically,trying to fully grasp the overall style of this group of poetry creation.The article is divided into two parts: The first four chapters explores the historical process of the development of the poetry of the literati in Hangzhou garrison in the changes of history;the last four chapters focuses on family literature,regional literature,The trauma narrative and other perspectives,focusing on the uniqueness of Hangzhou Garrison's literary creation.From a diachronic point of view,the first four chapters placed Hangzhou Garrison Literature in the historical evolution of the Qing Dynasty,and comprehensively considered the specific features and forming factors of the poetry creation of Hangzhou garrison.The Shun Kang and Yong period was the beginning of the creation of poems by the Hangzhou Garrison.At this time,the banner people first entered the center of China,and they were separated from the Han people due to differences in race,customs,and concepts.The few poems left behind were also similar to those of the Han literati.Write opposite emotions.The Qianjia period was the rising period of the poetry creation in Hangzhou Garrison,and the cultural splendor displayed during Qianlong's southern tour set a good example for the people of Hangzhou Garrison Banner.At the same time,Garrison generals advocated banner to learn Han culture and carry out cultural construction in Garrison,so that Garrison banner have more contact with Han culture,and their poetry writing also quietly rises.In the context of a prosperous economy and culture,the poetry writing of the literati in Hangzhou Garrison also showed peaceful.The Dao Xian period was a prosperous period of poetry creation in Hangzhou Garrison.At this time,more than forty literati had their poetry works in the world.The emergence of this prosperous situation was mainly due to the completion of the localization of the garrison imperial examination system,which allowed more garrison banner to intervene in the imperial examination,and formally opened the prelude to the exchange of resident banner citizens at the cultural level,so that Hangzhou garrison literati and Han culture could carry on More in-depth communication.On the one hand,this has brought about an increase in the number and number of poetry writers,and on the other hand,it has made the content of poetry more diversified.In 1861,the Hangzhou garrison was destroyed under the attack of war,and its literary creation also declined abruptly.After Hangzhou was recovered during the Guangxu period,Garrison culture was also rebuilt.The poems of Garrison literati express leisurely and also show concern for the state and political situation,because of their different personal experiences.At this time,the Hangzhou garrison literati and Han literati intervened in the current situation and contribute to the country.From the historical development of poetry creation in Hangzhou Garrison,the path of ethnic integration is also clearly visible.The last four chapters explores the poetry creation of Hangzhou Garrison from a variety of perspectives,trying to explore the uniqueness of their poetry creation.First of all,put the literati and poetry in Hangzhou garrison from the perspective of the literary family to discuss the literary environment and characteristics.The Eight Banners Garrison is a society with distinct hierarchies and strict regulations.Most of the garrison literati belong to the noble class.The family characteristics in the literati community are obvious,and marriages are often carried out among various literary families.Therefore,the Hangzhou garrison literati group was established to a large extent based on blood kinship and possessed strong cohesion.Secondly,from the perspective of "space",it focuses on the writing of landscape poetry by the literati in Hangzhou garrison.The Hangzhou Garrison is close to the West Lake,which has affected the aesthetic characteristics and spiritual core in the poetry creation of Hangzhou Garrison literati.And their sense of belonging and regional identity are also clearly displayed.Thirdly,it analyzes the trauma writing of Hangzhou garrison literati with trauma narrative theory.Aftert 1861,the survivors of the Hangzhou garrison writers often wrote about wars,expressing their feelings of grief,anger and frustration.This type of writing has reached a fusion with the poetry writing of Hangzhou Han literati,which shows the formation of a community of banner and Han people at that time.Finally,grasp the evolution and evolution of Garrison literature as a whole,and gradually find out the internal rationale of Garrison literature construction and the positional relationship between Garrison literati and Han literati in the process.The development of Garrison literature is inseparable from the culture and society of Han.It eventually followed the culture of Han and became a part of Hangzhou culture in the Qing Dynasty.The exploration of Hangzhou Garrison's poetry creation from a multi-dimensional perspective can complement the diachronic investigations,and further deepen the research on Hangzhou Garrison's poetry.