Study On The Literary Image Of Colorful Porcelain In Early Qing Dynasty

This paper focuses on the literary images of multicolored porcelain and the figures.This paper mainly focuses on the origin of multicolor porcelain literary images and character pictures,how multicolor porcelain as an image medium deduce the language content referred to in literature,and how language images evolve into visual images in images.In the process of research,in addition to sorting out the foundation of the formation of the early colorful porcelain figure drawings,the paper also carries out a specific study on several types of figure drawings with the most prominent literary characteristics of the colorful porcelain images.By analyzing how different types of multicolor porcelain figures deduce literature,this paper summarizes the characteristics and rules of how language images evolve into visual images,and draws the following conclusions:First,the development of colorful porcelain literary images and character pictures in the early Qing Dynasty was not accomplished at one stroke,but gradually advanced with the development of The Times.The construction of social politics,economy and culture in the early Qing Dynasty constituted the basis of the evolution of multicolored porcelain literary images.The evolution of literature into multicolored porcelain figures was also influenced by the spread of literature in the early Qing Dynasty.In the communication between literature and images,on the one hand,the literary images on the utensils were the realistic existence in the form of images besides the oral and literal communication of literature in the Qing Dynasty.As the media of literature,multicoloured porcelain images also promote the promotion of cultural value and the development of art with the help of literary language and stories.Second,not all the figures in the colorful porcelain literary images in the early Qing Dynasty were original in that period,and many of the images were inherited from history,presenting the image characteristics of a line of succession.However,the changes of images are affected by the development of social culture,and with the progress of ceramic technology,new changes will still be derived in different historical stages.The evolution of the multicolor porcelain figures in the early Qing Dynasty and its types lies not only in the inheritance of the traditional literary images in the presentation of figures,but also in the realization of the re-interpretation of literary images through the decoration of multicolor porcelain,the participation of literati and painters,and the use of literary lyrical and narrative techniques.The features of the literary interpretation of the multicolored porcelain literary images and character pictures also show that the purpose of the decoration is to release the linguistic images and meanings of literature.Since the Ming and Qing Dynasties,the development of decorative arts of "taking color as ornament" and "taking painting as ornament" has provided a solid foundation for the interpretation of literary images by colorful porcelain figure drawings in the early Qing Dynasty.Thirdly,after clarifying the foundation of the formation of the colorful porcelain figure drawings in the early Qing Dynasty,the paper also combs and summarizes the characteristics of the literary images and the relationship between literature and images by comparing the language images related to the specific colorful porcelain figure drawings.Based on the development of multicolored porcelain figure drawings in the early Qing Dynasty,this paper carries out case studies on three types of figure drawings,namely,the figure allegorical map with homophonic implication as the core,the figure poetic map with poetic presentation as the purpose and the figure story map with story plot as the focus.Fourthly,Kuixing is taken as an example in the implied picture of multicolor porcelain figures,and the implied meaning of images and words is taken as the research object.This paper focuses on the representation of literary images,the relationship between literature and images,and the reasons for the formation of the implied map of the colorful porcelain Kuixing.Colorful porcelain figure allegorical drawing deduces literature by extracting image symbols from language and words,and then establishes images that can refer to literary allegorical meaning.In Kuixing allegorical graph,the relationship between literature and images is represented by the compatibility of text images,while the evolution of linguistic allegorical graph to images is realized by the mechanism of homophonic pun.On the one hand,Kuixing allegorical diagram's interpretation of linguistic implication and the form features of shaping character images come from the image tradition,on the other hand,it comes from the evolution of Kuixing and its literary implication,and it is influenced by the imperial examination belief and culture.Fifthly,in the poetic picture of colorful porcelain figures,the image interpretation between the figure image and the poem is taken as the research object,and the women engaged in sericulture labor in the "split foil" of the plowing and weaving picture is focused.The figure drawing of "separate foil" of multicolored porcelain is based on the engraving "Imperial Cultivation and Weaving Map",which can be reproduced in the multicolored porcelain through the form of plane transfer and suitable evolution of the image.The visual reproduction of the poem by multicolor porcelain is the interpretation of the image of the poem and poetry.The image transfer of the engraving "Imperial Farming and Weaving" is not a simple copy,but an image re-creation on the basis of the prototype.Therefore,the relationship between literature and images shows their compatibility and difference.The poetic picture of "split foil" of multicolor porcelain is not only the interpretation of literary implication of images,but inherits the traditional concept of "observing the image and instructing the time" of ploughing and weaving pictures.In the Qing Dynasty,it showed the concept of "persuading people to plough mulberry",and realized the interpretation of images under the guidance of these two kinds of consciousness.Its six stories of wucai to figure,image of literary representation is through language,image,plot of the novel story evolved into such as visual image,and the defects in the novel "three kingdoms" interpretation of the various ge is bright and "empty" story with wucai zhuge liang the graph object,through the figure on the document of zhuge liang and his story,This paper summarizes the realistic image characteristics,language image characteristics and image image characteristics of this character.The image interpretation of this kind of literary story by the colorful porcelain figure story drawing is based on the principle of the balance between the virtual and the real in the shaping of the character image,and the relationship between the literature and the image shows that the virtual and the real are mixed.And the image reproduction of the character story is to choose the climax stage of the development of the literary story to perform the image deduction,and to carry out the concrete plot description based on the principle of "imminence".The seventh part summarizes the evolution and cultural value of the multicolored porcelain figure drawings in the early Qing Dynasty.From the evolution characteristics,cultural value and evolutionary significance of the multicolored porcelain figure drawings,the literature image research of the multicolored porcelain figure drawings in the early Qing Dynasty is summarized.In general,this paper systematically sorts out the figures in the early Qing Dynasty colorful porcelain literary images,and summarizes the background and types of the figures.This paper focuses on the different types of figure pictures,around the change of their images,the relationship between literature and images,the characteristics of literary images,the law of evolution and so on.This paper analyzes the phenomenon,mechanism and relationship between literature and multicoloured porcelain images from the point of view of utensils,which makes up for the deficiency of related research.It expands the research scope of ancient literature and image,breaks the research inertia of multicolor porcelain art which takes the porcelain itself as the core,brings it into the literature background,and provides the research experience of ceramic literary image.