A Study Of Style And Thought In Ming Dynasty

The stylistic thought is a new field of ancient Chinese stylistics.The research achievements in the fields of stylistic connotation,stylistic form,stylistic classification,stylistic concept,stylistic function,stylistic literature and stylistic theory provide theoretical support for stylistic thought research.Stylistics research in Ming Dynasty is mainly focused on works,scholars,theories or styles,which has a great academic space in specific theoretical scholars,stylistic comments,literature and some stylistic theories.Based on the case study,this paper selects the typical representatives and works of Ming Dynasty literature,focuses on the analysis of their typical style of speech,in order to further explain their stylistic ideas.The paper is divided into three parts:introduction,main body and conclusion.The introduction defines the core domain of stylistic thought,defines the research basis,theoretical basis and research path,and expounds the significance and value of stylistic thought research in Ming Dynasty.The main part is divided into nine chapters in the form of individual cases.The first chapter explores Song Lian’s stylistic thought.Song Lian introduced the thoughtof TiYong from the field of philosophy to the field of stylistic criticism,which produced rich connotation of stylistic thought.Song Lian paid attention to various styles,and advocated strict genres and paid attention to the characteristics of poetry.The second chapter discusses Wu Ne’s stylistic thought and its influence.Wu Ne’s stylistic thought,which is based on the theory of pre Confucianism,has the integrated characteristics of stylistic scholarly thought.Wenzhang BianTi shows its conscious consciousness of stylistic inclusion.The six prefaces of Peng Xiang and others have continued to develop Wu Ne’s stylistic thought.The third chapter analyzes Li Dongyang’s stylistics.Li Dongyang has the consciousness of paying attention to the system in his poems,and pays attention to the style in his literary criticism.Li Dongyang made a rich discussion on the relationship between stylistic style and stylistic function.He also distinguished the stylistic features of poetry from the perspectives of poetry and literature,poetry and classics,ancient poetry and metrical poetry,classics and history.The fourth chapter focuses on the stylistics of the first seven scholars headed by Li Mengyang.Li Mengyang put forward the idea that the pursuer of the ancients should not be prior to the style,and put the stylistic consideration into the thought of retro literature.He thought that if there is such a style,there must be such a method.He combined the theory of method with the theory of style.A large number of his imitations show that he imitates at the stylistic level and seeks methods from the stylistic level,which leads to his criticism by later generations.The fifth chapter studies Yang Shen’s stylistics.Yang Shen advocated studying his style in detail and showed his consciousness of distinguishing style,appropriateness and respecting style in literary criticism.He is good at all kinds of literary creation,innovates Tanci and other styles,and is good at breaking style creation.Yang Shen paid attention to the rare style,and made stylistic criticism in the form of anthology.The sixth chapter analyzes Wang Shizhen’s stylistics.Wang Shizhen put forward that stylistic criticism should be regarded as an important means of literary criticism.In Wang Shizhen’s work itself,skillful operation outside the rules contains the ideological cognition of the theory of distinguishing style,breaking style,appropriateness and efficiency.He put forward the same version but different styles,and discussed the styles of different classics.Wang Shizhen’s stylistic thought contains a kind of expectation for innovation.Chapter seven discusses Li Zhi’s stylistics.Li Zhi’s idea that eight part essay is the best essay is based on childlike innocence.Li Zhi believed that popular literary styles such as novels could also become the most popular literary styles in ancient and modern times,which promoted the status of popular literature.He agrees that he should abide by the system when writing.Li Zhi’s choice of style in his works reflects his idea of using and selecting style.Li Zhi’s stylistic thought has the component of heresy.The eighth chapter discusses Gong’an Sanyuan’s stylistic thought.Yuan Hongdao’s preface to Wenzhang Bianti constructs a rigorous ideological system of distinguishing the style from the reasons,angles,and innovations of the theme.Gong’an style,represented by Yuan Hongdao,has the characteristics of breaking style.In fact,it has the significance of breaking style and innovation.Yuan Zhongdao advocated variant innovation,which is the embodiment of Gong’an School’s thought of opposing Getao.The ninth chapter discusses the stylistic thought of Zhu Quanzai’s research paradigm of Wentong.Zhu Quanzai’s literature is widely cited,but his nonstandard points are also criticized.His academic views are mainly inherited from the predecessors and can be corrected.Zhu Quanzai tried to construct a complete theoretical system of stylistics,which reflected the awakening of theoretical consciousness in the stage of stylistics integration in Ming Dynasty.The tenth chapter summarizes the stylistic thoughts of Ming Dynasty as a whole,combs the typical theories of stylistic thoughts of Ming Dynasty,and analyzes the performance and theoretical value of the integrated characteristics of stylistic thoughts of Ming Dynasty.The conclusion reflects the further development of this study and the possibility of further research.This study deeply excavates the stylistic thoughts contained in scholars,stylistic comments,literature and so on,which have not been widely concerned by the academic circles before,in order to make up for the academic space of stylistic thoughts research in the Ming Dynasty.