The Origin And Evolvement Of Kunqu Opera’s Qupai

The research on the origin and evolvement of Kunqu opera’s Qupai 曲牌 is based on the systematic review and arrangement of the existing problems in the evolution of the origin and evolvement of Kunqu opera’s Qupai 曲牌,and is an in-depth revelation and exploration of the opera itself.Qupai 曲牌 study is an important part of the Quxue 曲学 study,involving the sorting and study of the Northern Qu 北曲 and Southern Qu 南曲,since the ancient times to modern related literature and research of music literature音乐文学,music literature genre of the body the sorting and research literature and music characteristics,etc.,and then from the whole of China music literature 音乐文学 and cavity relationship 腔词关系 in macro and micro sight inspection,the evolution of Kunqu opera Quxue曲学 logic.From the perspective of general generation studies,this thesis try to research the relationship between the origin and evolvement of each generation’s music literature and Kunqu opera’s Qupai 曲牌in detail.The first chapter is "the brewing and spreading of the ancient Qu 古曲 before tang dynasty".This thesis studies not only put the Kunqu opera’s Qupai 曲牌 emergence and development limited to tang dynasty,instead of trying to qu learning before age the outline of a Qupai 曲牌 brewing and preparation stage,explore the book of songs,poems,and other forms of music literature in poetry and music aspects of Qupai 曲牌 that play an important role,this preliminary also laid the foundation of literature and music.The second chapter is "the relationship between Daqu 大曲 and Kunqu opera’s Qupai 曲牌".Daqu大曲 as the main investigation object,the chapter specific source of Kunqu opera’s Qupai 曲牌 roughly the number of Daqu 大曲 and the basic way,thus think Daqu 大曲 for the management of music style and music style of Kunqu opera’s Qupai 曲牌 provides the basic idea of normative and variability,as well as provides the Kunqu opera’s Qupai 曲牌 the source of music composed by two aspects of the basic idea of accumulation and fusion.The third chapter is "the relationship between Cipai 词牌 Kunqu opera’s Qupai 曲牌".As an important origin and evolvement of Kunqu opera,this chapter mainly investigates the literary logic and music logic of "Ci Qu gradations" 词曲递变.Ci and qu are different in the transformation of palace melody and meter.The lexical method provides rich experience and foundation for the method of composing and provides rich literary and musical materials for Kunqu opera’s Qupai 曲牌.The fourth chapter is "the Kunghua 崑化 theory of northern qu 北曲".Since the Qu,yuan,Ming and Qing dynasties,there have been many differences in the characteristics of literature and music between the Northern Qu 北曲 and Southern Qu 南曲.Since the song,Yuan,Ming and Qing dynasties,there have been so much in-depth studies,exchanges and penetrations between the north and the south by means of transportation and regional transfer,which constitute the cultural landscape for the common development and prosperity of the Northern Qu 北曲 and Southern Qu 南曲.This chapter also intends to prove the communication and mutual infiltration of the Northern Qu 北曲 and Southern Qu 南曲,which s also the basis for the establishment of the self-music norms of the north and south musicThe fifth chapter is "the relationship between the Nanxi’s Qupai 南戏曲牌 and the Kunqu opera’s Qupai 曲牌".This chapter starts with the transformation of the inner cavity of Nanxi and Kunqu opera,and discusses the origin and flow of Nanxi 南戏 and Kunqu opera.Nanxi 南戏 has laid the foundation of"cavity theory" and" Qupai 曲牌 sentiment theory" for Kunqu opera.Through rearrangement and reflection of the genealogy of Southern Qu 南曲,it has established the refined and vulgar tendency of music and literature in Nanxi 南戏 and Kunqu opera and the change of melody law,which can further explore the independent process of the Qupai 曲牌 style of Kunqu opera.The sixth chapter is "folk songs in Kunqu opera".This chapter is based on the diversity of the source and flow of Qupai 曲牌,specifically from the perspective of folk music,religious music,border music,Qin Qu 琴曲,Qin song 琴歌,etc.to comprehensively investigate the interaction between Kunqu opera and other music categoriesIn general,through the study of the origin and evolvement of the Kunqu opera’s Qupai 曲牌,we can see that Qupai 曲牌 is an important characteristic of Qupai 曲牌 opera with important rules,and Qupai 曲牌 provides an important dimension of "poetry,music and performance".This topic of the kunqu opera’s Qupai曲牌 investigation,it is not just to Kunqu opera singing and expanding and guidance of the theory,more important is an attempt to explore a specific form of music behind the music evolution logic,Qupai 曲牌 is a microcosm of the entire Chinese music literature,to fully demonstrate the unique charm of Chinese opera.