| In the last decade there has been a dramatic increase in satellite imagery available in the commercial marketplace and to the public in general. Satellite imagery systems and imagery archives, a knowledge domain formally monopolized by nation states, have become available to the public, both from declassified intelligence data and from fully integrated commercial vendors who create and market imagery data. Some of these firms have recently launched their own satellite imagery systems and created rather large imagery “architectures” that threaten to rival military reconnaissance systems. The increasing resolution of the imagery and the growing expertise of software and imagery interpretation developers has engendered a public discourse about the potentials for increased transparency in national and global affairs. However, transparency is an attribute of satellite remote sensing and imagery production that is taken for granted in the debate surrounding the growing public availability of high-resolution satellite imagery.; This paper examines remote sensing and military photo reconnaissance imagery technology and the production of satellite imagery in the interests of contemplating the complex connections between imagery satellites, historically situated discourses about democratic and global transparency, and the formation and maintenance of nation state systems. Broader historical connections will also be explored between satellite imagery and the history of the use of cartographic and geospatial technologies in the formation and administrative control of nation states and in the discursive formulation of national identity. Attention will be on the technology itself as a powerful social actor through its connection to both national sovereignty and transcendent notions of scientific objectivity. The issues of the paper will be explored through a close look at aerial photography and satellite imagery both as communicative tools of power and as culturally relevant historical artifacts. |
