A Study On The Ritual,Symbol And Identity Of The Songjiang Array In Fujian And Taiwan

Songjiang array is local social wushu organization in Fujian and Taiwan.Songjiang array embodies with hundreds of years of historical memory of Fujian and Taiwan people so that it is the most representative of the traditional national sports and has a special example of homologous culture.This paper uses the research methods such as literature research,participatory observation,interview,oral history,case study and so on with the wushu culture of Fujian and Taiwan as the research object.From the beginning of the tracing,the development process and ritual culture of songjiang Formation.This paper explains the symbolic connotation implied in the ritual culture of the songjiang river,and deconstructs the historical mind hidden in the hearts of the broad masses of the people,dials the self-identity,ethnic identity,the connotation of national identity,and the relationship between the three construct the logic of each other.The results shows the fellow:First,the paper study on the origin of the songjiang array and the ceremonial culture of the songjiang array was excavated.We discover that the relevant literature and the emergence clearly marked the word"songjiang array"in Fujian and Taiwan from the late Qing Dynasty through the literature and practice survey.The paper demonstrated the songjiang array in the anti-Japanese in the"mandarin duck array",made the songjiang array from the water margin of the question and deconstruction of Zheng Chenggong“fang bing in agriculture”,south shaolin anti qing fuming,the militia and other historical events on the development of the songjiang array to promote the role in the songjiang array from the various origins of the legend.The paper explores and organizes the artifacts of weapons,musical instruments,clothing and other artifacts of songjiang array in Fujian and Taiwan.Which shows the integrity of preservation of these cultural relics in Taiwan.It explores the rhythm of the body of the show process from the three stages of the"pre-threshold","threshold"and"post-threshold"with songjiang array in Fujian and Taiwan.In these three phases,the songjiang array dynasty in Taiwan in China is quite different from the Fujian region in terms of ceremonial content and rituals.Only the wushu technology system and drill style are similar.Second,the paper has combed the history of the development of the songjiang array in different historical periods.The social memory of the songjiang array in Fujian that has a mainly related to the historical events such as the opium war,the struggle against imperialism,the struggle against imperialism and feudalism in modern times.The main function of the songjiang array was to participate in the anti-struggle and the ritual of the temple in the late days of the ritual during the Japanese occupation period in Taiwan.In this historical stage,the songjiang array of the two places have maintained their special qualities on the basis of their demonstrated qualities.The songjiang array in the Taiwan area of China has been transformed into local religious,clans,festivals and other fields.Songjiang array had show in various celebrations to participate in the show on the occasion of the founding of new China,but songjiang array can only“hidden culture”in the form of survival in the early period of the cultural revolution.Songjiang array culture is not interrupted and even to some extent to be encouraged and supported in thirty years of martial law period from Taiwan.The cultural performances of songjiang array has appeared with festivals,sacrifices,celebrations and other fields after the reform and opening up in Fujian.Songjiang array has continued in the temple to maintain vitality and has assimilate into the primary and secondary education,but also it has become the content of leisure and tourism events in Taiwan after the solution.In terms of diversification and function demonstration,Taiwan in China is far better than the Fujian region.Third,the paper explained the symbolic connotations of the ceremonial content,ritual process,artifacts,performance fields and body imitating contained in the ceremony of songjiang array.We discover that the protection of God worship ceremony has a represent the collective culture of farming culture and a symbol in the'“before the threshold”the process of with songjiang array ceremony.There was the memory,reproduction and symbol of the historical scene of the early battlefield wrestling from the process of "threshold" from the songjiang array ceremony.There was the successful symbolic cultural connotation in the process of "posterior threshold" about the songjiang array ceremony.The gongs,drums and cymbals are a symbol of Chinese traditional culture and its spirit in songjiang array ceremony.The incense burner and the talisman has a symbols the local religious culture in songjiang array ceremony.The clothing of traditional Wushu is an important recognition and memory of traditional wushu culture in songjiang array ceremony.The sandals is a symbol of life in songjiang array ceremony.The foot towels is a symbol of traditional Chinese wushu faction in songjiang array ceremony.The face color and lines are liangshan heroes and other heroic worship cultural symbol in songjiang array ceremony.The symbolism embodied in traditional martial arts recognition and face-to-face culture is more often found in the song iang array culture in Taiwan.The songjiang array ceremony is regarded as a symbol of the nature of bravery in the local religious ritual field.The songjiang array ceremony is characterized the tribe of the hero ancestors of respect in the village clan or ethnic sacrifice field.The songjiang array ceremony is the traditional Chinese culture the show and the symbol in the festivals.Fourth,the paper deconstructs the self-identity,ethnic identity and the Chinese nation identity of the majority of the people hidden in the ceremonial culture of songjiang array as well as the logic between the three.We believe that the individual's self-identity mainly from the individual needs arising from and within the ethnic groups and the formation of social impact between ethnic groups in the songjiang array ceremony field.The self-identity of Taiwan compatriots in our country also includes the identities of the self-identity of the Chinese people.The ethnic identity is rooted which has come the history and culture about the ancestors' participation in the opera of the songjiang array ritual.It also has been constructed because of the cultural structure of the songjiang array cultural was considered a component of the ethnic culture.The ethnic identity of"native" and "situational" were a alternate complementary patterns in some specific field.Songjiang array as a "habitus" that it usually through its special historical memory to contrast this field of the country in order to outline the Chinese nation identity thinking of local people.The people may be condensed into ethnic identity when the self-identitycan be achieved and finally think about the Chinese nation identity.In contrast,the Chinese nation identity affect the formation of ethnic identity and self-identity shape.The self-identity can be directly raised to ethnic identity or the Chinese nation identity.However,the Chinese nation identity also directly affects with structuring of the individual's self-identity.