Research On JiaoXun's Study Of Confucian Classics And Poetics Thought

JiaoXun(1763-1820),the word litang,ganquan,yangzhou,jiangsu province(now yangzhou),he was a thinker of qianjia period in qing dynasty.As a master of Confucian classics,JiaoXun's Confucian classics achievements are the most significant,and it is obvious that the thought of Confucian classics is the main body of his thought system.At the same time,he He was also very good at literature.His Poetic thought was abundant,and was an important part of his ideological system,with its Confucian influence on each other in homology way.At present,the academic studies of JiaoXun's poetic thought are slightly weak except for the traditional opera theory.The discussions of the relationship between the poetic thought and the studies of Confucian classics need to be expanded on whether the depth of research,or the scope of research.Therefore,on the basis of previous studies,I have conducted a comprehensive exploration and summary of the poetic thought and the homogeny of Confucian classics and poetic thought,with a view to getting a deeper understanding of the academic thought of JiaoXun.This thesis is composed of introduction,text and appendix.In the introduction part,the research object,research significance,research status,research emphases and methods of this topic are elaborated.The text is divided into five chapters.In the first chapter,which are the life and writings of the JiaoXun,I have divided his academic journey into three periods,and have a overview of the writings.This is also an important research background of this topic.The second chapter is“JiaoXun's study of Confucian classics”.First of all,the essay discusses the origin of JiaoXun's Confucian classics,and probes into the foundation of the construction of Confucian classics from the three aspects of the “yi”,the cultural geography of yangzhou and the influence of western learning.Secondly,the essay analyzes the connotation of the governance of Confucian classics,which is based on“yi”and “ prove the existence and use flexibly ”,and clarifies the focus of the Confucian classics.Thirdly,the essay gives a general introduction to the characteristics of the thought of JiaoXun's Confucian classics by focusing on the “the basics of Confucian Classics explanation”,“ the concept of Confucian Classics explanation”and“the principle of Confucian Classics explanation”.The third chapter is“the poetic thought of JiaoXun”.First of all,the author discusses the origin of the poetics of JiaoXun's poetics,from the three angles of“the poem”,“the grammar”,and“the theory of music”,and examines the influence of the literary works and the theory of literary creation on the formation of JiaoXun's poetic thought,so as to prove up the literary roots of his poetic ideology.Secondly,from the perspective of “temperament”and“generation of representatives”,the author analyzes the connotation of JiaoXun's poetic thought and clear the context of his poetic thought.Thirdly,the author analyzes the characteristics of the poetics of JiaoXun,and clarifies the specific poetic viewpoints of literary style view,creation aims,standard for writing,and preliminarily restores the general appearance of JiaoXun's poetic system.The fourth chapter is“the homogeny of Confucian classics and Poetic thought of JiaoXun”.First of all,I discuss the poetics from the perspective of the Confucian classics.It is found that JiaoXun believed that the esteem of literary “writing” is for the study of “learning industry”,that isthe study of classics;under the view of“change”of“yi”,JiaoXun puts forward the literary historical view of“generation of representatives”;it also shows the great influence of Confucian classics on the construction of poetics through the idea of “the soul of the words must be learned by Confucian classics”.Secondly,I have a reverse look at his Confucian classics from the perspective of his poetics.It is found that JiaoXun's poetics of "temperament" and Confucianism of "goodness of human nature" in the study of poetics are intermingled with each other;the poems,articles and operasthe are the reference to the interpretation of classics;the author can evaluate the literary genre through the concept of“Yin and Yang”and so on.It shows that the mutual infiltration of literature,history and classics in the specific poetic creation and theoretical construction,and the significance of the poetics of the study of Confucian classics.Thirdly,From the cutting point of the interaction between JiaoXun's Confucian classics and poetics,this article further explores the homogeny of the two elements in the ideological system of JiaoXun.The fifth chapter is“the common and the uniqueness of the homogeny of Confucian classics and Poetic thought”.The interaction between classics and poetics is particularly prominent in the thinkers who study the Confucian classics and poetics.And it shows that they have more ideological commonality of their“poetics based on the study of Confucian classics”and“the purpose of elaborating the sacred way”.In the summary of the“temperament”view of these thinkers,we find the uniqueness of JiaoXun's“temperament”view.JiaoXun's interpretation of“temperament” no longer stucked to the Confucian view of“temperament”function of church and state,at the same time the brige of the“temperament”between Confucian classics and practical,in the form of isomorphism of Confucian classics and poetic thought,but conveyed the enjoyment of the art form itself,put forward“generation of representatives”of literary history,and showed the poetic theoretical consciousness that different from general thinkers of Confucian classics and poetry.The appendix is the academic events Chronicle,which is based on JiaoXun's books,the relevant information.Through this “academic events Chronicle”,we can get a more intuitive and clear understanding of the evolution of academic thought.