Wang Chong Literary Thought Research In The Context Of Confucian Classics Study

In the first chapter,This paper mainly elucidated two big problems: one is the description of wang chong and the Confucian scholars.This section introduces him in the context of the Confucian culture of Confucian culture,which is the context of his orthodox Confucian academic beliefs.The second is to define wang's "wen" and groom his "name".This section is mainly to define the category of "wen",which is involved in wang chong,so as to make it easier to understand wang's literary theory in a more intuitive and three-dimensional way.Based on the literature summary,from one side to observe with celebrities and scholars of Chinese all previous dynasties representative of wang chong and the theory of scale on the literary value of evaluation.In order to achieve a more intuitive understanding of wang chong and his works,the historical evaluation and the use of these comprehensive analysis.In the second chapter,This chapter mainly considers two questions: first,what is the overall specification of the literary theory of han dynasty? From two time dimensions,this paper discusses the specific norms of Confucian idealism in the western han dynasty under the power field of the western han dynasty.The second,from three small sides,elucidated the academic background of wang chong,which is to study and comb through the text of the treatise on "the balance";From the background of culture education,wang chong was investigated by the Confucian education.To analyze the academic style of wang chong in the subliminal period.It is possible to take a more holistic view of the relation between the classics and the theory of wang.In the third chapter,The study of classics and the theory of wang's creation.Wang chong's theory of creation is formed in the criticism of prophetic-mixed theologize ethos,highlights the trend of its revisionist-reformist again and again,to emphasize the authenticity of literary creation and originality.Wang chong,on the other hand,shows the characteristic of "yi zhiyi",while on the other hand,he is also committed to the originality of literature and the anti-retro-culture.Could say that,in the era of han Confucian classics,wang chong not really from the overall environment and become a "heterogeneous",but absorbs the positive side of the Confucian classics,also corresponding era,to put forward another interpretation of literary theory,his presence as a distinctive part of the han dynasty Confucian classics literary theory.In the fourth chapter,"The quality of literature and the quality of the literature" and wang's theory of quality.In the relationship between "wen" and "quality",wang has inherited the Confucian school's concept of basic prose,and borrowed some of the literary qualities of the two han scholars.He believes that the content and form should be combined,not to be disregarded,and to the development of the post-world literary theory.In the fifth chapter,"The use of the classics" and the theory of wang's utility."The use of the classics" was the prevailing thought of the han dynasty literary critics.The most concentrated expression of the treatise on wang chong was three levels: first,"to punish evil".To promote the unity of truth,goodness and beauty;Second,"hon is the best".This section introduces the literary objective of wang's ode to the world.This paper elaborates on the relation between the literary ethos of "zishi shu" in han dynasty and the literature of "hongde is the best" in the han dynasty.At the same time,it is also based on the research of the predecessors,and gives a summary of the practice of "hongde is the best",and summarizes the reasons.Third,"the knowledge of the deaf".This is also wang chong's more characteristic formulation of functional theory.In the sixth chapter,This paper mainly elucidated the typical language theory formed by wang chong in the context of the classics,namely,"ancient and modern." In this paper,the author expatiate on the theoretical origin of the theory of language,and analyzes the relationship between the two.This is one of the main problems in this chapter.Wang chong aspects on the language of literature "ancient and modern words" thought is influenced by the concept of "yi" by "is",advocate should use eyes to look at development and change of literary language.Therefore,wang puts forward the language theory of "wen lu yi" and "the agreement of the words",which has influenced the development of later literary language.In the seventh chapter,This paper mainly studies the influence of wang chong in the study of classics,and argues that the author should play his role in the improvement of self-cultivation and the practice of "boda".Here is borrowed from the concept of "human" the vocabulary of the human subject,with the Confucianism to the integrity of the cognitive perspective,to analyze the thought of wang chong writer cultivation.Wang chong's conception of the author's cultivation is the reemphasis and deepening of the Confucian scholars' demands.Wang chong and the Confucian classics were deeply influenced by Confucian thought,and the basic idea of this aspect was not right.In this chapter,the two dimensions of "DE" and "talent" have elucidated wang chong's knowledge of the creation and cultivation of writers.Wang chong framework has the ability to control such huge marvelous idea,and it also can ensure the ideological content of the book is higher,its wide range of knowledge and skill on the use of the knowledge ability is obvious.Wang's knowledge of writers is positive,but it highlights the "use" part of the writer's post.The "use" of the post is to write the book and say that the writer should aspire to disseminate his unique knowledge and ideas.