Record Image And The Spread Of Manchu Intangible Cultural Heritage

Manchu was originally called Manchuria.It was built in the 17 th century.It is a national community formed by the Jianzhou Jurchen as the core and integrating the Han,Mongolian,Korean,Daur,Sauran and Xibo ethnic groups and incorporating them into the Eight Banners system.The Manchus have a long history of development.From Sushen,Yilou,Wuji,Mohe and Jurchen to the Jurchen,they are the ancestors of the Manchu family.Later,Nurhachi unified the Jurchen ministries,established their own national political power,and finally formed a new nation during the Huang Taiji period.The community successfully entered the Central Plains and established the Qing Dynasty.The Manchu and his ancestors created a sturdy national culture in the long historical process,and left a glorious imprint in the treasure house of China’s intangible cultural heritage.“intangible cultural heritage” is regarded as a kind of culture,and it has its own internal communication attribute.The communication constitutes the intrinsic attribute and basic characteristics of Manchu intangible cultural heritage.Communication is the basic method and important measure for the protection of intangible cultural heritage.As a medium of information carrying information,documentary images have the function of transmitting intangible cultural heritage,and communication is the core element of the formation of the meaning of Manchu intangible cultural heritage.Therefore,this topic tentatively incorporates the recorded images into the communication research of the Manchu “non-legacy”,which is divided into five chapters.The first chapter is mainly from the transformation of communication and the transformation of Manchu society into an entry point,analyze the role played by communication in its political rule during the historical evolution of Manchu society.The rulers of the Manchus “checked” the information,and enjoyed the power to dominate and prioritize the dissemination of information,becoming the main giver of meaning,constantly constructing and perfecting the entire empire’s communication network and institutions to realize the rule and operation of the vast empire.The social practice of fishing and hunting collection,clan tribe,eight-flag system,Manchulanguage,shamanic belief,and national language riding and shooting are the Manchu cultural heritage formed in the process of the rise,rule and decline of the Manchu.The symbols and meanings of the Manchus condense the Manchus.“Collective memory”continues the national identity of the Manchu;The second chapter discusses the internal relationship between communication and the protection of Manchu’s“non-legacy”.It emphasizes that the core of intangible cultural heritage lies in culture.It has strong cultural attributes.Communication is the core element of Manchu intangible cultural heritage.The intrinsic driving force of inheritance and protection to demonstrate the necessity of disseminating the intangible cultural heritage of Manchu;The third chapter points out that the record image as the medium of communication is the carrier of information,which carries the transmission and spread of the Manchu“non-legacy” and its meaning.From the relationship between record image and communication,we will sort out the writing process of the Manchu intangible cultural heritage record image,analyze the creative characteristics of the Manchu intangible cultural heritage record image and the ethical paradox of the recorded image participating in the Manchu “non-legacy” protection process;The fourth chapter discusses the “ritual” representation,“encoding/decoding”phenomenon and the generation and change of “field” in the recording of image transmission,summarizing the Manchu “non-legacy” record image communication,the core elements are meaning construction and meaning generation,and enter the ritualized media’s communication channels,through ritualized communication,so that the recorded images bearing the meaning of the Manchu “non-legacy” will be more widely spread with the change of the “field” of the dissemination;The fifth chapter analyzes the record image of the new media era and the trend and practical significance of the Manchu intangible cultural heritage,from the three perspectives of media value,social value and cultural value of documentary image transmission,join the integration of media and Internet technologies,as well as the use of big data and cloud platforms,to analyze the reality of the Manchus’ “non-legacy” and its meaning.In the new era,China’s socialist modernization construction is standing at a new historical starting point.With the “multi-polarization of the world,economic globalization,social information,and cultural diversity”,the Manchu cultural environment has undergone tremendous changes.The original ecology and living environment of the Manchu “non-legacy” are suffering from the impact ofmodernization.The intangible cultural heritage that relies on oral teaching is faced with the unintended predicament.As a medium of audio-visual combination,video has both the dual functions of art and communication.Presenting and spreading “rituals”in a specific cultural space with the representation of “ritual”and image isomorphism,and also learn from the expression paradigm of the deep drawing is closely combined with the editing code,so that the image is placed in different“fields”,and a more free character is merged with the intangible cultural heritage to spread the refined and transformed cultural elements or representative symbol of regional culture,realize the generation and spread of the intangible cultural heritage of Manchu and its significance.Thus,the recorded image can widely spread the“non-legacy”in a live form.In the era of “Internet +”,relying on big data and cloud platform to spread,relying on the technical strength of media and the Internet,with a view to realizing the protection and inheritance of intangible cultural heritage,and realizing the goal of “seeing people and seeing things and seeing life”,it opens up a new path for the protection,inheritance and dissemination of the intangible cultural heritage of ethnic minorities,make it reflect the value and meaning of existence in today’s daily life.