Discrimination And Analysis Of Traditional Cultural Thoughts In Chinese Modern And Contemporary Music Creation

Chinese modern and contemporary music,as an important part of Chinese modern culture,originates and develops in the specific historical background of Chinese social and cultural transformation.Therefore,it must bear the imprint of the times,possess the spirit and interest of the historical culture of the times,and maintain a deep connection and high degree with Chinese modern culture in terms of cultural characteristics and cultural identity.Identity.From the perspective of cultural characteristics and cultural demands,Chinese modern and contemporary music has gradually changed from "learning from the West and transforming the local culture" to "going out of the West and returning to the local culture",which fully demonstrates the cultural consciousness of "inheriting tradition and inheriting civilization" in Chinese modern and contemporary music creation.Chinese modern and contemporary composers,through analyzing,thinking and researching the cultural origin behind the traditional Chinese music form,try to go deep into the interior of the traditional Chinese music culture to find the cultural noumenon and the way of music interpretation that belong to themselves,and try to explore the construction of new language and new form under the presence of "traditional Chinese culture",and finally complete the construction of new language and new form for China.Traditional music culture in the context of modern and contemporary innovative interpretation and reconstruction sublimation.This paper chooses some typical Chinese contemporary and contemporary music works and the author's original works as the main research objects.By practicing the concept of "interpreting music in the cultural context",it makes a comprehensive and in-depth analysis and Research on the use of techniques,cultural connotation,aesthetic cognition and philosophical thinking of the works.Firstly,at the signifier level of music,it sums up and summarizes the morphological and stylistic characteristics of the music language of the works;secondly,at the signified level of music,it explores the organic relationship between the construction of the music language of the works and the traditional Chinese culture;lastly,from the perspective of traditional Chinese culture,philosophy and aesthetics,it points out that the contemporary Chinese music creation is in the context of globalization.It has the traditional cultural representation and aesthetic value significance to analyze and elaborate.