A Study Of Chinese Poetry In The Mid-goryeo Dynasty

In the history of Korean ancient literature,the creation of Chinese poetry in the Mid-Goryeo was a period of development in which he inherited and developed.It slowly kicked off in the outbreak of the Musin-jeongbyeon in 1170,and in 1270 the military regime collapsed.It inherited the beautiful carv ing of the late Tang poetry in the early period of Goryeo,and the inhibition of the sentimental thoughts in the late period of Goryeo's concomitant sexua l science.It bore a gorgeous literary blossom on the fertile soil under the inf luence of internal and external social crisis and Chinese culture.During this period,both in terms of literary development and political history,there are d istinct stages and two-sidedness.The study of the overall characteristics of C hinese poetry has significant significance and value.Based on the holistic view,using the methods of historicism criticism an d the research on the origins of comparative literature influences,communicat ionstudies and literary psychology,to explore and evaluate the entire history of the Chinese poetry and its historical position in the Mid-Goryeo,this thesi s starts from the texts of more than 2,000 Chinese poems written by the five poets of the Mid-Goryeo poet Lee Kyu-Bo,Kim geug-gi,Lim Chun,Lee In-lo,and Chen He,who were the most widely preserved Chinese poetry.For t his reason,this article conducts a comprehensive study on the social and hist orical reasons for the development of Chinese poetry in the Mid-Goryeo,the themes of Chinese poetry,aesthetic style,artistic characteristics,and their rele vance to Chinese literature.Chapter 1 presents the social and historical reasons for the development of the Mid-Goryeo's Chinese poetry.This paper analyzes the social historical motivation and the overview of the development of the Mid-Goryeo's Chinese poetry.Goryeo experienced a period of steady economic and cultural develo pment after the founding.With the rise of the imperial examination system a nd Confucian education institutions that the king Gwangjong in the Goryeo e mulated the Tang,Chinese literature had gained widespread popularity.And s everal features that are different from those in the past have emerged.First,th e new class of scholars joined the party and injected fresh blood into literary creation;Second,with the continuous influx of Chinese anthology,Goryeo's col lections had become popular;Third,due to the dual needs of reality and spirit,large-scale literary groups were born oneafter another;Fourth,with the poet's p roficiency in Chinese poetry writing and deep thinking,the earliest poetry collections in ancientKorea were published.Chapter 2 is the theme of Chinese poetry in the Mid-Goryeo.The poet completed the sublimation from “little self” to “great self”from the contradicti on between the ideal and the real world,the unity of benevolent government a nd the country,and the combination of national destiny and personal mission,t he love of landscape and the seclusion.First of all,the majority of the Gorye o poets suffered the contradictions between prosperity and unsatisfaction.The poet unraveled and criticized the abuses and chaos of the system of appointin gsocial talents,hierarchical identity systems,and the differences between rich an d poor in society;Secondly,in the war chaos,the poet used a broad mind to c are for the bottom-level people and pondered the reason from the perspective of a responsible scholar and many poetry concerns with a certain people's n ature that profoundly reflected the suffering of the people appeared;Thirdly,under the constant invasion of the northern nationalities,the Goryeo's step-bystep retreat of aggravated the humiliation of the literati,and an anxiety and se lf-consciousness about the destiny of the nation arose,the poet created a lot o f poems that express the sense of national anxieties and self-consciousness;Fi nally,many poets expressed their appreciations to the natural landscape,which was caused by their strong sense of loss and negative attitudes to the world.This kind of ballad is a way of self-liberation and pursuit of the mental dile mma,is evasive act when the government is helpless and the country is in da nger.Chapter 3 focuses on the aesthetic style of Chinese poetry in the Mid-G oeyeo.With regard to the style terms appearing in the three poetry collection s “PahanJip”,“Baekunsoseal” and “BohanJip”,the Mid-Goryeo literary world m ainly presents fresh and natural,bold and unrestrained,brilliant and colorful,and gloomy.Before the mid-term,the trend of aestheticism in the late Tang,which focused oncarving articles,was turned into a pragmatic trend that was repress ed after the middle period.And in the Mid-Goryeo's worship of Song poetry,fresh and natural were the overall style of the poetry.The bold and unrestrai ned was the poet's highest aesthetic pursuit.The brilliant and colorful,and glo omy styles were the emotional content orientation of medium-term poetry.Chapter 4 focuses on the artistic features of Chinese poetry in the Mid-Goryeo.the Gorye literati undertook many creative practicesunder the influenc e of Song poetry,combinging the poets own thnking and judgement,to demons trate their own aesthetic orientation.The most prominent ones are the unitary principle of poetry-painting,suppression emotion into the reason and the use of scripture and various multiple rhetoric.These artistic characteristics deeply r eflect the diversity of the Chinese poetry creation in the Mid-Goryeo of the development of style transfer and personality change.Chapter 5 begins with the connection between the theme of thought,aesth etic style,artistic features and Chinese literature,and conducts a macroscopic an alysis of the association between Chinese poetry in the Mid-Goryeo and Chin ese literature.The theme embodies the commonality of the contradictory thou ghts of the poets of the two countries as Confucian intellectual's typical idea of “Successful,they made all the world good.Poor,they made themselves alon e good.” Du Fu pointed out problems and persuaded people to correct them and worried about the feelings of the country and the people;Su Shi's active participation in politics,innovation,repeated deportation,and open-mindedness;Tao Yuanming stayed away from the ugly reality and wasburied in the seclud ed complex between mountains and forests;Li Baiwas frustrated for all his ta lent and a wild free-spirited action…were faithfully reflected in Chinese poetr y in the Mid-Goryeo.In terms of aesthetic style,the Mid-Goryeo poetry occup ied the dominant position by the poetry of the Song,and also had the charm of the style of the late Tang.Influenced by the works of Chinese poetry theo ry: Sikoung-tu's Twenty-Four Shi Pin,ehe commentary and thinking on the sty le of poetry in the Mid-Goryeo also showed a change from alittle to a lot,fro m a rough to a detailed one;The artistic characteristics also confirmed the gr eat influence of Song poetry,whether it is the " the unitary principle of poetr y-painting " advocated by Su Shi or the artistic features of the Song poetry t hat emphasizes reasoning or discussing theory and interests,or Huang Tingjian's use of scripture of the "point iron into gold" and "reborn" without exceptio n,or the popularity of the Chinese poet rhyme-borrowing poems.The Goryeo poets put forward their own standards in the poetry and focused on their ow n aesthetic judgments.They borrowed the image of China's time and space t o create a “Goryeo-style” fantasy artistic conception,or the rhyme-borrowing method was derived from the "Jupil" creation of impromptu singing rhyme.In general,the Mid-Goryeo was an important period of transformation fo r the Goryeo's literary world.It broadened the field of poetic themes,establish ed an aesthetic model of poetic theory,and led the new structure and new sty le of the Goryeo poetry.What is rare is that under the powerful influence of Chinese culture,they actively blended with their own national culture and c oncluded a harmonious literary flower that has a profound impact on the poet ry creation of future generations.