| The tale of heterogeneous marriage is a worldwide type of story.Although all it tells is the story of love and marriage disputes between man and the immortal ghost,fox,demon,the story of heterogeneous marriage of Manchu-Tungusic ethnic group shows its unique appearance-the concept of marriage and love,the orientation of moral values,the religious beliefs of folk and the historical and cultural development of all ethnic groups in Tungusic ethnic group.In both the subject matter and the narrative technique,the Manchu-Tungusic language monogamy is a part of Chinese literature and culture that can not be ignored.Looking at the history of the research on the stories of the Manchu-Tungusic language,although some achievements have been made,the related research on the heterogeneous marriages is still relatively weak and its research has only been scattered in some papers and has not yet formed a system,and lack of specialized holistic research.Although there are still some obvious imbalances in the limited research results,however,these existing research results have also made the necessary theoretical reserves for the further research on the related topics,and have also provided a certain possibility of deep interpretation.This article analyzes the narrative motifs and types of the Manchu-Tungusic language narrated by twentieth century,and describes the state of the events and the features they present.Based on the analysis of narrative sequence and narrative meaning of Manchu-Tungusic language heterogeneous marriage story,this article also analyzes the deep structure of Manchu-Tungusic language heterogeneous marriage story by combining the narrative form with the research of narrative tradition and cultural consensus.In order to achieve the purpose of the research,we not only use the research methods such as the motif and the type,but alsoanalyze the research methods of the classic narratology carefully.We use some theoretical framework to analyze the text and rethink the theory itself and the theory of the predecessors' research conclusion.It is universally accepted that the narrative research should start with the refinement of the elements of narration,no matter the narrative structure,narrative type,narrative perspective or narrative time.If we want to type the study of heterogeneous marriages,it is very necessary to conduct a preliminary refinement of the subject of narrative motif.First of all,from the perspective of narrative typology,we should sort out the textual data of the Manchu-Tungusic language heterogeneous marriage stories compiled and published in the 20 th century.Based on the existing research results both at home and abroad,we abstract the motifs of the stories and summarize them frequently Common motif,and then divided into two levels,three levels,and at all levels of motif were defined and explained.According to the characteristics of Manchu-Tungusic ethnic group marriage stories,the commonly used motifs are respectively divided into three phases: opening,development and ending.The motifs are divided into simple and complex ones in order to analyze the motif relations and After the sequence of stories to prepare.To classify the Manchu-Tungusic ethnic group marriage stories needs to consider the inherent factors that constrain the development of the story and use it as a prerequisite for the division and study of the story types,so as to help us to better grasp the various ethnic groups implications and philosophies implied in marriage narration.Taking the causes of heterogeneity as the main reference standard,the classification of ethnic heterogeneous marriages from the perspective of type can make up for the deficiencies in the formal research on the division and classification of motifs.Based on the causal logic of heterogeneous marriage stories,Manchu-Tungusic different kinds ofmarriage stories can be divided into gratitude,observance,and pursuit of marriage and love,and so on.For each of the four main types,the core motifs and their narrative patterns used in each story type can be analyzed according to the narrative syllogism model of opening,process and ending.Each type has its possible theme,motif and theme The type of classification and text classification has a double meaning.The "three elements",character,time and space,that narratology initially focused on are the subject and background of a story.According to Propp's functional character theory,we analyze the characters and the action circle in these types,and find that there are generally five roles in the Manchu-Tungusic language heterogeneous marriage story.In some cases,three to four characters.Although the character structure is relatively simple,the character's function is not lacking.Through the analysis of the characters of the action elements,we can find that there are often complicated crossover and transformation among different action circles,which is one of the characteristics of Tungusic ethnic group's marriage stories.The research of rhetoric on the narrative characters shows the characteristics of Manchu-Tungusic ethnic group narration in terms of character naming,appearance rhetoric and narrative mode.The setting of the duration of some episodes in the story also has a special meaning.Its time consciousness is full of simple,clumsy and free and casual nature.Manchu-Tungusic ethnic heterogeneous marriage appeared in a variety of fantasy space imagination,the division of space is about the spatial elements of the analysis,but also reflects a clear sense of space,full-Tungusic ethnic heterogeneous marriage story space type and Its spatial awareness actually represents the religious emotions and folk beliefs that the Manchu-Tungusic people show through space.The way of perception of space reflects the habit of a nation.In the study of the function of space,the function of space in the shaping of characters andthe interpretation of the symbolic meaning of culture embodied in space can serve as useful attempts to study the space of narratology.The commonalities and stylized features of narrative elements in different types of stories and the analysis of the fullness of narrative elements in the heterogeneous marriage story of the Tungusic Language Group shows that in the analysis of the narrative elements of story groups,some well-established theoretical studies The model will be of great help to solve the structural problems of the story,and will also make a preliminary judgment on the structural characteristics of the Manchu-Tungusic language heterogeneous marriage story.Considering the sequence of the narrative of the Manchu-Tungusic ethnic group marriage story as the superficial narrative structure,it can be divided into two categories according to its sequence combination,i.e.simple sequence and complex sequence.Simple sequence can be regarded as the basic sequence of the narrative,Bremond's study proposed two kinds of improvement and deterioration of the tendencies,in addition,there is a situation that can not be identified.The simple sequence of linear advancement with linear structure and the composite sequence formed by the crossover of two-way pandas constitute a complex and diverse Manchu-Tungusic ethnic group marriage story.The structure of the narrative text must be meaningful as a support,full-from the appearance,the process to the ending,the Tungusic language clan marriages are inevitably influenced by the Shaman culture,while Buddhism and Taoism also exert some influence on it.As mentioned earlier,the opening of the narrative is generally the first appearance of men,even if the female name as the subject of heterogeneous marriage,and women in the narrative process as the main description of the object,but most of the narrative still men as The first appearance characters.In the process of narrative,narrative focus,mainly male or female,the themeof narrative under the guidance of these two situations shows two different types of people focus on the focus of attention,mainly male The heterogeneous marriage narrative embodies the moral evaluation standard in shaping the male image,while the female image shaping expresses the male psychological expectation to the female.The deep structure mainly lies in the logic followed by the narrative.It plays a decisive dominance in the superficial structure of the narrative text.At the same time,through the surface structure,it conveys various kinds of information to be expressed by the narrator.From the opening and the process of the narration to the ending of the story At one stage,the contradictions and reconciliation of multiple relations between men and women,families and the community have always been presented under the binary opposition structure.From the analysis of the deep structure of the narrative text,we can see that narrative tradition,cultural consensus and narrator personality present the deep structure of narration,which is the meaning of narration,which leads the narration of the whole story.To sum up,the article starts with a case study of the Manchu-Tungusic language heterogeneous marriage story compiled and published in the 20 th century,narrates it from the form to the content,analyzes the structural features of its narrative form,"How to narrate" based on the analysis of interpretation is part of " What effect will such a narrative get" of the results of the study.From generalizing and analyzing what and how heterogeneous marriage tales narrate,to analyzing how the various narrative elements lay out and construct the text in the process of narration,and then investigating how heterogeneous marriage story from the beginning of the narrative,the narrative process and the outcome of the story elucidates different thoughts and emotions and cultural cognition,on the whole,it presents the research process from individualto whole,and then back to individual. |
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