Zhang Ruitu Calligraphy Research

Talk about Zhang Ruitu,will have to talk about his unique learning path and his peculiar book wind and he broke through the "Er Wang" as the core of the bondage of traditional learning.Based on the cultural background of analysis from the perspective of philosophical history of carding Zhang Ruitu source of ideas.Mapping from philosophy to his calligraphy esthetics thought,combining basic context and law of calligraphy,calligraphy coupled with him to stay and calligraphy theory,to clarify the learning book takes its source.This article is divided into five partsThe first chapter-Zhang Ruitu era and its lifeMainly introduces Zhang Ruitu the social ideological trend with the age of the late Ming dynasty political,cultural background,as well as his friends and traveling.Zhang Ruitu's age and his life for his book the formation of the wind played a subtle role.Chapter 2-Zhang Ruitu crazy zen thought and the study on the relationship between the "ShuHuaChan"This chapter mainly discusses the "Kuang" Zhang Ruitu embodiment and its ideological source.This "Kuang" embodied in the poetry and calligraphy works,which is mapped to the calligraphy,calligraphy orthodoxy by leader" Er Wang "down from the altar,so that his method is not constrained by two Kings on behalf of the ruling the faction of the post,and attention to the evolution of calligraphy.Plus he mainly "CanWu" the methodology of books,so it is difficult to judge his learning calligraphy by determining the specific objects.It is this ideology,was created Zhang Ruitu such unique individual character book wind and descendants of the so-called"king in zhong,an alternative" learning book.From Zhang Ruitu several"ShuHuaChan" seal as the clue,this paper expounds the relationship between zen and the calligraphy and painting and Zhang Ruitu dating with the jungle and the zen ideology of his calligraphy ideas and performance.Also describes the Zhang Ruitu alcohol for the influence of his spirit,etc,also to determine his many works should be drunk by books.The third chapter-Zhang Ruitu cursiveMainly introduced the book wind trend of Ming dynasty,and through the analysis of Zhang Ruitu works explore the adults cursive hand takes its source,and also analyzes the various periods of his book the wind characteristics.The fourth chapter-Zhang Ruitu cursive style otherPart of this chapter mainly introduces the cursive script and after yuan dynasty zhang cao and lower case for reconstruction and development and the trend of fusion between each period,and in-depth analysis of the Zhang Ruitu zhangcao,lower case,running script.A further analysis on the regular script is presented for the writing background of zhangcao-regular script brushwork cursive writing chapter,because of this pen turn to enter the zhangcao writing.Zhang Ruitu calligraphy style is also in the yuan dynasty since the regular script,zhangcao,large grass on the development trend of fusion.From the perspective of calligraphy practice Zhang Ruitu cursive pen fold may be related to the party with the method of the regular script writing chapter cursive script to fold the pen into the chapter there is a definite relation of cursive script.Chapter 5-Zhang Ruitu comparing with all the late Ming dynasty calligraphy ideas and his influence on later generationsThis part mainly introduces Zhang Ruitu in late Ming in the home to learn the generality and particularity of book ideas.And some of the impact on later generations.Conclusion,summarized from two aspects of spirit and calligraphy practice Zhang Rui books the causes of the formation of the wind.And certainly in the history of Chinese calligraphy in his second learning book contribution made by Wang Shuxue orthodoxy.