Researching Of Jin Traditional Opera

Jinju is one of the representative characteristics of Chinese North opera opera,it has a long history and a rich repertoire,music performances,unique skill,has been named the national intangible cultural heritage.In order to better protect the Jinju art heritage,which can develop continuously,in addition to the community should pay more attention,the development status and development regularity of its academic but also the need for timely analysis and summary.In recent years,Shanxi province opera in all fields of Jinju have carried out a lot of research work,and achieved fruitful results.However,it systematically studies,since the last century at the end of 80 s the compilation and publication of "Chinese opera Chronicles-Shanxi volume" since it still lacks a Jinju art comprehensive summary.The past thirty years,Jinju art from both the script creation,performing inheritance,or music reform has undergone great changes,especially in the twenty-first Century,issue of Jinju musical modernization,the academic circles have not yet concluded,in order to compensate for these missing points of Jinju art,taking Jinju art study on the topic,try to make a systematic and comprehensive study.This article from the production,dissemination,Jinju social class,drama,music,performance,music innovation seven chapters to carry on the system analysis,according to the previous chapters each not dig the problems of analysis.Why can the old as Jinju transportation under the condition of its provinces,why the decline will continue to stay in the later parts of Hebei Mongolia and Shaanxi provinces and fruit? In other areas,but disappeared with the Shanxi merchants? Deep thinking on this question has not yet been found in academic circles,the motivation of this research spread outside of Jinju,Jinju in Hebei area was settled in the North Shaanxi Mongolia "Jin area".There is a direct relationship between the formation of the new "Jin Qu in the Ming and Qing Dynasties Shanxi immigration,customs and dialect similar is the root cause of Jinju in these areas to take root.Through a lot of historical analysis to clarify the settled in the provinces of Jinju Jin area contact.For a long time,Jinju class club economic sources less explored scholars,one is lack of historical data,on the other hand,scholars of the social class' s economic situation has been ignored for a long time due to a drama troupe,occupation source of funds is? This articlefrom the temple terrace square performance,hall performances,garden hall performances,meeting show four aspects,on the social class economic sources were added.Shansi opera still no specific statistics,after the provincial Drama Institute conducted two operas(the)arrangement and Mr.Li Qianguang in 2015 by the Shansi Opera Collection.But the three were to occur in the repertoire of statistical plot as a classification standard,so it is difficult to understand the classification of Jinju in different development period has been staged repertoire type,so difficult to explore between drama and the evolution rule of jinju.To solve this problem,the most rigorous approach is to count on the wall in the society,class stage plays,staged in other records,through the development regularity of the repertoire of the themes and contents of each period of groping jinju.But the extreme lack of historical stage,this collection is difficult,containing nearly 40 stage wall,large repertoire of sources by Wang Yongnian,the old artist oral Mr.Liu Jucai penned "a hundred yearsjin Ju history" and local chronicles,opera records.In this paper,on the stage of Jinju in recent thirty years,including the new repertoire,traditional opera,traditional opera and modern drama adaptation were analyzed,this work is complementary to the previous three repertoire of statistics.In order to better understand the relationship between drama and drama,based on the 600 play of transplant repertoire,total drama,opera,Opera repertoire,obscure(a play),the classification of unique repertoire,Jinju Opera 7 categories,to further explore the source and evolution of the Shansi opera.For the study of contemporary music of the previous multi Jinju,from the core of the tone Jinju columns,singing,musical instrument reform in-depth analysis,but for the past thirty years the orchestra and band of Jinju creation research is still blank.Based on the traditional design to the development of contemporary music as music creation evolution made a lot of music analysis,clarifies the reform in form and structure of the traditional music and bands of the creation and design of Jinju innovation process,makes up the insufficiency of research field of contemporary Jinju band.This paper has done a lot of investigation and interview work in writing,get a lot of valuable first-hand oral historical materials,in order to do research on authenticity,even if the existing historical data also need further verification,need to do the interview.On the basis of a large number of research work,this paper forms the basic framework of this paper.On the basis of the research methods,the author uses the methods of philology,Chinese dialect,field investigation,statistics and opera image to increase the objectivity and scientific nature of the thesis writing.