Research On China Classical Ci Poetry Theory Of "Elegance" View Of Honour

"Elegance" is an important category of Chinese literary theory, which has its own unique and distinctive ethnic characteristics, and occupies an important position in the lyrics, poetry, novels and other literary criticism. The lyric was originally used as a popular literature appeared, in order to change its flashy, humble position, its elegant requirement and trent more than poetry style. From the Tang and Five Dynasty until the late Qing Dynasty, the lyric critics mostly advocate "elegance". But the contemporary researchers on the theory of "elegance" is limited in the Song Dynasty, especially in the Southern Song Dynasty, or is the study of the elegant lyric genre, Elegant lyric creation. The development of theory of the "Elegance" and the connotation of the deep and complex, there were a few of researches, the "Elegance" on the theory of system, is the lack of, in-depth, comprehensive study. This paper mainly in the face from the dynamic and static two layer theory in respect of "elegance" concept:one is from the longitudinal dynamic aspects of lyric advocating "elegance" concept development, evolution of history,"elegance" shown in every era appearance; the other is from the horizontal and is the philosophical basis of the static level respect the "elegance" concept, to explore the theory of "elegance" style and creation characteristics and the question of the relationship between "elegance" and related categories. This paper consists of seven parts to study on the introduction of the theory of "elegance" concept, and explain the origin of this topic, the logical starting point for the study of China classical theory respect "elegance" concept,and expounds the methods and ideas of this paper.The first chapter mainly discusses the formation and evolution of the concept of "elegance" statue. Chinese classical theory respect "elegance" concept originated in the Tang and the Five Dynasty, between this period, the social and cultural thought of "elegance", the elegant aesthetic taste of the product produce the lyric theory of "elegance", which influenced clearly by Confucian ideas. The Song Dynasty is the classical theory of "elegance" respect which set up and develop. Under the introverted wind stimulation, the theory of "elegance" respect concept into the mainstream consciousness in this period, the lyric creation completed by the "air" to "the heart"."Elegance" has rich connotation, elegant appearance color theory and poetic elegance on two such contact already distinguishing statue of "elegance" view. In this period, the ideological foundation theory respect "elegance" view mainly by Confucianism, Taoism and Buddhism as. Yuan and Ming Dynasty, the pursuit of true disposition, restraint against etiquette and pressing, in "the guilty person of elegance" and so on ideology, theory of "elegance" repect concept has gradually lost its dominant position, and the exclusion of aesthetic consciousness of the orthodox theory of the statue, in the concept of "elegance" continuity and set in an social impact and the run in,"elegance but not avoid vulgar" become a model. Qing Dynasty in the period of "resurgence","elegance" respect to expand and deepen. The theory of advocating elegance in methodology and ideological connotation in "system, in-depth interpretation".The second chapter mainly discusses the "elegance" this aesthetic category definition, connotation and its internal contradictions,"elegance" is more specific and profoud. The theory of "elegance" respect concept involves three levels:in the creation of lyric level requirement’s law, the character to carve the sentence to a new high, refined, creator of noble and graceful; in the style of lyric theory,with "elegance" as the aesthetic requirements, that emphasize high content, and elegant taste; in the ideological level is based on Confucian thought, to supplement, release. The theory of "elegance","in" into the inner scale, took "courtesy" as the external demand, formed the contradiction tension changes in the situation, combined,ambition, rhyme and so on.The third chapter discusses the classical theory of "elegance" fundamental ideological and spiritual, philosophical dialectics. In thought, lyric in the "elegance" the basic idea is the spirit of Confucian poem teaching principle, retro and advocating orthodox, Taoism "clear","no", footloose and unearthly and Buddhism’s "empty","unobstructed harmony" spirit of the theory of "elegance" concept of honour deep impact. In the method, the theory of "elegance" respect concept reflects the artistic dialectics.The fourth chapter to the lyric in the position and the typical elegant lyric as the example, elaborated "the main style and elegance". Analysis of the elegant and graceful, elegant and elegance, style elegance and refined, the difference and the general concept of "elegance", the relation and the difference between related with the same period in aesthetics, the relationship between style and the lyric finally respect "elegance" concept and creative practice.The fifth chapter mainly discusses the theory of "elegance" meaning of the concept of respect. The theory of "elegance" respect theory has high value and practical significance. Its theoretical value is mainly manifested in which the distinct characteristics of the times and the reality of strong pertinence and set a good example for the lyric, In terms of guidance for practice, the content to be expanded, the lyric taste can be improved, the lyric in the identification standard at the same time, the realization of self promotion.The conclusion part is mainly the theory of "elegance" to honour concept formation and evolution, connotation and formation, thought and method, style, significance and other aspects to summarize. In general, the theory of "elegance" view with respect to traditional culture and Poetics Discourse to construct the criticism of lyric system, the lyric construction theory history, enrich and deepen the role can not be ignored.