The Dynamics Of Taiwan Modern Portry From1950s To1970s

Throughout the developing process of Taiwan modern poems, it is not difficult to find the fact of history breaking and cultural integration, especially the spiral advance in modern poetry as the result of the historical evolution and cultural diversity. Various factors such as history、polity、nation and culture affect the road of modern poetry that all kinds of culture, thought, doctrine blend together, and "modern","tradition" and "local" conflict and interact with each other, which make the fusion and personal independence pattern of Taiwan modern poetry. So, this essay starts with "turning",and "break" and "structure" as keywords in order to discuss some problems about Taiwan modern poetry, including the fact, dynamic, reason, content and the characteristics of it. By combing the phenomenon of the complex historical background, reading poems in historical poetics, we will explore the footprint of Taiwan poems extensively, and then analyze the external factors and internal logic of Taiwan modern poetry history.The introduction part, first review the occurrence of Taiwan’s new poetry, analysis its development problems and entered the logical starting point. Secondly, on the basis of the three kinds of poetic trajectory--"modern","local" and "traditional", puts forward a theoretical model, tries to draw the outline of Taiwan modern poetry as a whole dynamic process. Finally, reviews current research on Taiwan modern poetry works; try to put compare cultures, psychology, architecture, literature research methods integrated into the paper.In Chapter One, we focus on a historical angle, analysis its important characteristics of Taiwan modern poetry in1950to1970s. Such as, because of the political repression, the period of Taiwan modern poetry development faced with double fracture of the poetic tradition in1950s, but the poet carry out self-salvation and grafted to the west "flowers of evil", modern poetry of westernization trend since then; In the1960s show the modernism poem tide surged, three poetry club is not only about the "modernization" of Taiwan modern poetry, more on the aesthetic thinking of rebirth in a deserted; Surge in the1970s is to emphasize real concern with social critical, the province poet has come into the surface right now, the new generation poets also frequently uttered his voice,"nation","reality","local" to replace "surreal" as the age keywords.Chapter Two observes around the battles of Taiwan modern poetry, analysis its dynamic process and its inner logic. Modern poem controversy is the inevitable process of coordination and integration between different poetic, which not only embodies in defending their legal status, and power of poetry, even mixed with the spirit of struggle between poet, so through the analysis of several major controversy, can look from another dimension of Taiwan modern poetry tide change reason, and get the distribution to three cultural explanation----modernism explanation groups, local realistic interpretation, classical lyric interpretation group.The third chapter focuses on origin of modern poetry in Taiwan "the two root ball", explore history, politics, poetic tradition of Taiwan modern poetry tide to the influence and restriction."The two root ball" is very important to the poet of Taiwan and the poet from China, and influence Taiwan modern poetry’s rurn track. So, this chapter’s focus is "the two root ball" how to guide out of three poetry tide.The fourth chapter is researching on "China complex" and "Taiwanese consciousness" in the spirit of the differences between the three poets group. Across the sea poet because of forced exile, cannot erase the nostalgia, but not give up the land of Taiwan and the soul is laid;"Crossing language generation" poet in the face of the double oppression of history and reality, effort to restore historical truth, cling to the song and crying over Taiwan; New generation poets group with China in their heart, meanwhile fall in love the present reality of unrest in Taiwan. Therefore,"China complex" and "Taiwanese consciousness" are the internal factors of Taiwan modern poetry turn tide.Chapter Five back to poem’s internal research, try to grasp the aesthetic from the process of Taiwan modern poetry turn tide. Among the modern, reality and classical are not completely opposite to each other, but influence each other:Modern and classical combination can make thinking swim in Confucianism, Buddhism and Taoism; And modern combine with reality can put the surrounding reality in the modern poetic form; Or together romantic, classical and modern, use elegant words interpretation the ultimate of the life.We could say that the interpretation of Taiwan modern poetry is the key point to touch the pulsation of Taiwan modern poetry, and the main point is the dynamic process of opposition or blend in modern poetry, also the internal and external logic of breaking or new-borb of it.Of course,"steering" does not end in the1970’s.Taiwan moderb poetry in the political, economic, modern information, postmodern cultural factors such as the impact of experimental, row upon row of various themes and techniques, leading the poet presents the situation which all flowers blooms together since the1980’s. To modern poetry, Taiwan has entered a new era.