The Qing Dynasty Cilv Cirticism And Theory Research

Ci lv is the most core factor of Ci ti, which directly related to Ci ti’s destructionand construction.During the Ming and Qing Dynasties, Ci’s music scattered.Whencomposing Ci lyrics, composer of Ci poetry must fully study of the law of Tang andSong lyrics, and to summarize,reconstruct of a set of reasonable rules ofcomposition.In the Qing Dynasty researchers inherited the achievement of MingDynasty of Ci lv, at the same time, they took further research in Ci lv theory andreconstructed the creation standard.Ci lv criticism theory had taken a growingprosperity.The debates were intense day by day, once reached white-hot.In theprocess of heated debate, Ci lv criticism theory were increasingly profound andfruitful, eventually mastered.This thesis is divided into preface, introduction to the theory of Cilv criticism inQing Dynasty, the theory of Cilv criticism in the early Qing Dynasty (the second,three and four chapter), the theory of Cilv criticism in the middle of Qing Dynasty(the fifth, six chapter), the theory of Cilv criticism in the late Qing Dynasty (theseventh, eight chapter), the Cilv criticism theory of the period of the RepublicChina,other discussion, of a total of eleven parts.The preface summarizes and evaluates the achievement of previous studies, andanalyzes the significant meaning of Cilv for Qing Ci creation, study of Ci, the poetsand the poet schools.And introduces the basic research literature of Cilv in QingDynasty, framework and methods.The first chapter introduction to the meaning, composition and developmentalhistory of Cilv criticism in Qing Dynasty, especially the changes of Ci ti inSong,Yuan and Ming dynasties, as well as the Ci lv changes which brought about bythe Ci ti changes.Secondly, analyzes the background and reasons of Ci lv criticismtheory that flourished in Qing Dynasty.Finally this chapter summarizes the generalfeatures of Cilv criticism theory of Qing Dynasty.The main part of the Ci lv of Qing Dynasty studies are performed on stage,whichis divided into three stages.The first phase is the early Qing Dynasty (ShunKang),divided into three chapters. Chapter second named"the flourish of Cilv criticism in the early Qing Dynasty f"，mainly analyzes the inheritance and innovation of Ci researchers in early Qingdynasty from the researchers of Ming Dynasty, especially analyzes the qualitativeleap in the study of Ci rhyme in early Qing Dynasty.The third chapter "WanShu’s Ci lv Thought",analyzes the background andtheoretical foundation of the birth of Ci Lv, fully elaborats the Cilv thought ofWanShu, affirms the history status and meaning of the Ci Lv, point out the book is amastered work,which lead a strict way to the composing of Ci poems.The fourth chapter "The Tought of Qin Ding Ci Pu"analyzs the production of thiswork,resolve its features and advocation, and pointe out it represented an officialview about the Cilv.However,it established a model of ci-composing.In the middle of Qing Dynasty (Yong Zheng–Dao Guang nineteenth years) is thesublimate period of Cilv criticism theory.This stage is divided into two chapters:Chapter fifth "the sublimation of Cilv criticism theory in the middle of QingDynasty " analyzes the reason of the sublimation. The represents of this phase isdivided into "the research of Ci’s music theory"," the practice of the recovery aboutCi’s singing function "," The Ci lv thought of The Total Catalogue of Siku Quanshu",in-depth analyzes their Cilv criticism theories and achievement.The sixth chapter "the compilation of GeZai’s Cilin Zhengyun"and"the maturationof Ci’s rhyming study",outlines the development situation of the Ci’s rhyme in QingDynasty, and analyzes the background and knowledge when GeZai compiledhis"Cilin Zhengyun", analyzes the editing features and Cilv thought of "CilinZhengyun".And to give historical positionof"Cilin Zhengyun":It marks a completionof the model of poetic rhyme books.In the late Qing Dynasty (DaoGuang twentieth years--XuanTong third years) theresearch of Cilv went into a summary period.This period is divided into two chapters.Chapter seventh "The deepen thought of Cilv in late Qing Dynasty " analyzes thefeatures of Cilv criticism theories in late Qing Dynasty, and in-depth analyzes thethoughts and contributions of Wang Pengyun, Zhu Zumou, Kuang Zhouyi and QinYan.The eighth chapter "Zheng Wenzhuo’s Cilv thought" especially analyzes Zheng Wenzhuo’s thought of Cilv, affirms Zheng Wenzhuo’s Cilv contribution, and analyzes"the method of Lvjiao", affirmed the contributions of Wan Shu,Ge Zai, Du Wenlan,Zhu Zumou, Zheng Wenzhuo and others in Cilv collation.The ninth chapter "the reverberation of traditional Cilv research" especiallyanalyzes the Cilv criticism theories in the period of the Republic.Although this periodhas gone beyond the scope of "Qing", but because this period connected on the Cilvadvocation of four poets in the late Qing Dynasty, so we regard it as the reverbrationof Qing Dynasty in Cilv criticism.The researchers, students of The four poets, whodid more detailed research work in Ci lv, Ci yun and Ci yue, filled and correctedmany defects and shortcomings of Cilv studies in the Qing Dynasty.Other discussions summarizes Ci-poetics history on the Ci lv criticism theories,mainly reflectes in four aspects: first, the perfection of Ci lv criticism theories in theQing Dynasty has set an example for the study of Ci,Ci lv study formed as anindependent subject; second, the Ci lv study in the Qing Dynasty has improved Ci ’sresearch system and methods; third, the achivement of Cilv research in the QingDynasty has given effective guidance for its creation; fourth, the Cilv study in QingDynasty has produced a great effection in the collation of Ci’s literature.In short, the Ci ’s researchers in Qing Dynasty have achieved fruitful results in theCi lv study, which occupy an important position in the study of Ci in the QingDynasty, and possess a great significance in the history of Ci.