Han Dynasty Emotional Thinking And Aesthetic Significance

The issues of feelings are very evident in Chinese ancient aesthetics and classical philosophy, it should be the main subject of Chinese classical aesthetics, because arguments between the feeling and sexual, feeling and ambition, nature and morality run through the whole histotry of philosophy and aesthetics. Currently, the description, analysis and research for emotion are scattered all kinds of philosophy, ideology, psychology and other literatures, but it that makes the affectional category as the main target areas to construct the system and explore the aesthetic sense are very few. Though the research to the thought and feeling and its esthetic significance is very important, the research results are insufficiency. So this article chose it as the inspection point. In addition, the Connotations of the thought of Chinese aesthetics have been enriched in the process of development. Various emotional relations, brought out by the compound and inner tension between the felling and sexual, feeling and ambition, greatly expanded the concept of emotional dimension in the Han Dynasty. The realization of esthetic characteristics of emotion had been deepening and the aesthetic emotion status had been improving. Thus, the ideas in the Han Dynasty put Chinese ancient emotional aesthetics to a new level. It was on this basis, the situation advocates Metaphysics naturally, makes Scholar in Wei and Jin dynasty further more in harmony with nature, it that attached great importance on the emotions become a kind of times of Wei and Jin Dynasties. No doubt, Han Dynasty is an important transit point joints for emotional aesthetics to convert from the Pre-Qin dynasty to Jin dynasty. However, because of the restraint from the traditional thought and the limitations of the research perspective, the esthetic significance of the thought and feeling in the Han Dynasty had not been given due attention, so it also has great significance to explore the emotion's status in Chinese ancient aesthetics by combing and reasearching the thought and aesthetic significance of emotion.On the base of the exisiting data, this article makes the historical development of emotional thought of the Han Dynasty as the cue to take advantage of the feeling and emotion of the Confucian and Daoism in different periods of Han Dynasty, to dig their esthetic significance and value and to explore the rich esthetic emotion implied in the art. This article makes great efforts to show the development of the feeling and emotion in Han Dynasty, to analysis the influnce on the Chinese ancient aesthetics in the Wei and Jin dynasty, and it also explore inspiration, brought by researching the feeling and thought of Han Dynasty, in solving the contemporary human's spirit crisis.This total includes introduction, body and conclusion of three parts, the body is divided into five chapters.Introduction in part through the current thinking of the Han Dynasty emotional background, significance and status of the study, pointed out that the current study of defects, the ancient ideas of the relative lack of emotion, for the study, this certainly is a huge space; Secondly, this paper study concepts such as: emotional, aesthetic feelings, emotions and other ideas were defined; Moreover, the proposed idea and method of this paper.Chapter one history, culture and aesthetics of traditional sources of Pre-qin was only able to better understand the origin of the ancient ways of thinking and feeling ancient Chinese aesthetics occurrence, development and evolution process. This chapter first interpretation from the text Qin literature on the "feeling" a brief explanations of the word to indicate "feeling" words included in the early literature is extremely rich in meaning, in which the "emotional" interpretation of the development over time more and more common; combining traditional documentation and unearthed documents, Pre emotional depth of meaning and aesthetic theory of thinking; separately from the physical, psychological and mechanism should be a sense of emotional aspects of the mechanism of hair growth, and exploring the natural and social factors outside the influence of the main emotion.The second chapter of the emotional thinking of the Han Dynasty longitudinal historical research, reveal the emotional thinking of the Han Dynasty and aesthetic significance of the evolution process, sort out its developmental context. Confucianism and Taoist Downs and blooming, integration and Huitong as clues to the evolution of the Han Dynasty emotional thought into early Han Dynasty, Han Dynasty, Han Dynasty and Han Dynasty four periods, in-depth analysis of each major period thinkers and their work reflects the emotional thinking of the aesthetic sense, to seize the theory presented in different periods form and features, explore the ideas of Han emotional development of Aesthetic Evolution and why. Chapter III of the aesthetic theory and aesthetic practice. Art as a typical expression of emotion and keeps more primitive emotions and the true nature of the aesthetic emotion of the important information. Han demonstrated emotion in aesthetic significance of ideas, pay attention to them to return to literature, music, dance and calligraphy, the art of creative practice and aesthetic theory explored. The theory with specific aesthetic characteristics of the phenomenon of fusion up the link with the art practice to reveal its aesthetic value, making the scope of the abstract phenomenon of the rich with vivid confirm each other, cross-echoes, demonstrating the emotional thinking of the aesthetic value of the Han Dynasty.Chapter IV of the Han Dynasty emotional thinking of the times. Cosmology and the theory of human nature from a macro point of view the source of emotional and ideological development of the interpretation of human nature to explore the world view and ideology of the Han emotion. It reveals the great Han dynasty unified command the power under the thorn and the United States than in Germany, than to become the world can not avoid Xing discourse strategies, in-depth study of these issues can make us even more comprehensive and profound grasp of the Han Dynasty and emotional thinking characteristics of the times aesthetic significance.The fifth chapter the aesthetic feeling in the position put forward in particular, emotional and aesthetic thoughts further development is an important sign ; of the han dynasty and wei emotion, the pre-qin dynasty, the aesthetic thought of the feelings and emotions thinking and analysis of the han dynasty of han attainting, emotion, which is "will" "affection" said the more objective and reasonable assessment of han emotions aesthetic value and status and significance.Conclusion that some pack full article, reviewing the evolution of the Han Dynasty history of emotional thinking, clarify its development, to better understand the connecting link between the role of context on the Developmental Way of making a more clear and intuitive.Owing to the nature of this topic, in the course of the study, it will involve the conten of the aesthetics, philosophy, psychology, culture, poetry and so on, it need to use a comprehensive visual angle to study the esthetic significance of Han Dynasty. For the contents of the study, it persists in the combining vision of great tradition and little tradition to study the traditional culture. This article aims to make a compelling overview of the feeling and thought of Han Dynasty by showing the feeling and thought in little tradition such as the prophecy and the weft. This article adhere to the way of combining the vertical (last), horizontal (consensus) to inspect the development and evolution of emotional and aesthetic significance in the Han Dynasty, and this is innovation goals to the paradigm of this article.