"Narration Of Cultural Revolution" In The Novel After "New Era"

Needless to say, to May 16, 1966, the CPC Central Committee Political Bureau and enlarged on by "516 notice", fully launching the "Great Proletarian Cultural Revolution" as a starting point, October 18, 1976, the CPC Central Committee issued the "gangster , Zhang, Jiang Qing, Yao Wenyuan anti-Party Group of the notice ", to smash the" Gang of Four "counter-revolutionary groups as the end of the" Great Proletarian Cultural Revolution "is a very important contemporary Chinese history," political event. " If unidirectional up from time to measure the dimension of this "cultural revolution" of the meaning and impact, then the Opium War of 1840 played continuously since the violent revolution, reform improved experimental reform of China's modern history and words, at best, but for the revolutionary history of China's modernization process adds a tiny footnote and symbols, but if the history and cultural history from the ideological dimension to explore this with the "cultural revolution" as a slogan, the collective participation of the whole nation, construction of "a touch people's souls Revolution", its impact and significance of the historical process of modern Chinese revolution can not avoid the existence of. Cultural Revolution, not only in modern Chinese history, but in the world have left a note on the history of Chinese intellectual history, cultural history, political history of the spirit of the testimony, absurd tragic decade experiment with the dark ugly cultural subversion of human nature, China and the world a strange and complex history of ideas of time and space paragraphs field, the face of "fuzzy" and ferocious spirit of heritage and intellectual history, cultural history oppressive sense of sadness the Spiritual Meaning, continuing the modernization process of human vibration.In 1978 - 1984 period, to tell the story of the Cultural Revolution, the main content and discourse resources, and literature as a historical background to "scar literature" and "reflection literature" in the collective naming and recognition of the legitimacy of history. Although the "scar", "Reflection" fiction writer, creative spirit of the main point, the novel about the way the aesthetic style of the novel there are differences: part of the novel is history as the Cultural Revolution ideology of "ideographic", part of the novel trying to repeat objectivity during the Cultural Revolution, the overall framework of history, attempts to outline some novel complex mental map during the Cultural Revolution, part of the novel is simply the Cultural Revolution, a radical political complaints and the aesthetic appearance of catharsis. However, early in the new era of "scar", "reflection" named form of fiction about the Cultural Revolution, these historical "story of the Cultural Revolution", although the memory has become the forgotten "a passion for years," but as a literary phenomenon Contemporary writers are constantly being told repeatedly and reconstruction, the researchers explain, and constant re-interpretation, "the so-called Cultural Revolution, the first is a" story "told by a different person" story ", a plot similar to the content Format details are changing all the different diagnosis and can lead to release of the 'story'. "With the end of the Cultural Revolution and the social and political movement in bankruptcy in the 1980s, China once again standing on the crossroads of history and turning decision, but rather it is interesting that the national ideology to shift in China's contemporary political, ideological, cultural geography has always in depression, rejection, negative state of enlightenment discourse identified as the era of the mainstream discourse, to the Cultural Revolution movement in the history of the missing "54" re-connecting the Enlightenment thinking. Literature of the New is in the "New Enlightenment" and "new" construct their own historical context in the discourse space, and to "completely negate the Cultural Revolution" began his literary narrative of the heavy curtain. The national mainstream ideology of the Cultural Revolution in China's revolutionary history and structure of the negative political practice of resettlement and the status of the heterogeneity, so that the reflection of the Cultural Revolution and the new literature in the new clean-up as the logical starting point for the criteria of modern rational spirit to democracy, science, freedom of thought as the main content of the Enlightenment ideas inherent in the new era of literature and learning resources, management support. In this context, the New Literature on the Cultural Revolution disaster of "self-reflection and critical," the formation of literary history on a new round of "cultural revolution", and the ideological emancipation movement initiated by the formation of structure and practice with the spirit of the same, and to the kind of state of Enlightenment discourse completion of a successful practice.The late 80's, and particularly in 1989, the coordinates of time, atmosphere and spirit of the times thought to have undergone substantial transformation, questioning and reflection become a general trend towards generalization, people have from the state and society shelter to get out, to issue their own individual voices, it is a full individual ethos of the times, many writers back to the position of personal narrative, consciously resist the outside world to impose some sort of hint that he, the writer will own lives personal experience into a unique aesthetic form of expression at all with the personal characteristics of the position. In this context of age, the writers on the history of the Cultural Revolution also will turn knowledge and experience within the context of individual words, especially in the pioneering writer and group of writers born in the sixties the "Cultural Revolution narrative" has a significant feature of .Early in the New "Cultural Revolution narrative", due to the qualitative state ideology of the Cultural Revolution, so that the historical facts of the arrests of the Cultural Revolution in the limited scope and limited within the framework of the Cultural Revolution movement in this power struggle is also about the nature of was cover up. Into the 1990s, as China gradually the ideological divide, the disciplinary power of the national ideology gradually decline and abdication, in "Farewell to Revolution" of appeals and demands, the people of the new era was the "Cultural Revolution Narrative" was reflection and challenge, the Cultural Revolution as a struggle for power within the CPC freak generated once again been questioned and criticized, as in the literature there is also a corresponding number of works on the rights of the Cultural Revolution movement in the struggle for a panoramic view of The about: From the history of "grand politics" right to operate, to the daily life of the "micro-political" rights of intake; between top leaders from the party the right strategy, the intrigues between the ordinary little people; from the mainstream the right to change society, to change the rights of civil society; from political psychology, to human desires ... .... Cultural Revolution in order to reveal the true connotation of totalitarian rule.Emerged at the turn of the century the "discourse" as the narrative core of the "Cultural Revolution fiction" has really captured the "sex" in the role of the revolutionary process, give full play to the "Discourse" of critical functions in order to achieve revolutionary discourse of exile and the breakout, and to "high profit, rational plenty" of the revolution "more than passion, reason enough," state the reversal and subversion, that is, Xiaoming said: "the history of strong sexual pull into a (sexual) Carnival of the place. " Discourse in the Cultural Revolution, the "collective memory" of Wang Xiaobo Yan Lianke and literary writing is a model of meaning, both in the "Discourse" of the absurd and playful burst of two dimensions on a "negative content" and " represents the nothingness of something. "Since the new China "Cultural Revolution narrative" After several generations of writers have been building and perfecting the formation of a rich literary pedigree and rich like state, but can be retained long-term memory in people, and people thought to have a sustainable impact and shocking to those who freed themselves from the ideology is still the norm, beyond just limited to the surface of the criticism of political discourse during the Cultural Revolution, and penetrate the soul of the individual texture of the "Cultural Revolution Years", the existence of the state and the spirit of the individual space questioned and cross-examination, in order to activate the individual self in the Cultural Revolution Movement "history effect" of self-examination and torture works. Since the new century emerged out several "Cultural Revolution fiction," It is in this dimension and significance of contemporary "narrative Cultural Revolution" was expanded and extended, showing a new face and nature of the upgrade: a kind of individual "Original Sin" ethos of reflection and repentance for the narrative setting in his works the core, and proliferation as a common generalization of the phenomenon. These novels are no longer a simple history of the Cultural Revolution, violent criticism and banter to the game of mind and attitude of the irony of the Cultural Revolution movement, fool, but through the Cultural Revolution movement in the history of numerous wild appearance, the individual soul The "privacy" to expose and dialysis, from the "physical" level to a "metaphysical" level of the individual soul's secret spy crack in the spirit of individual alienation and transformation, history and reality, reflection and repentance, sin and redemption, ethics and human nature, content in the novel constant repetition, and rose to the history of fundamental propositions, so as to contemporary "narrative Cultural Revolution" and open up new aesthetic space and the spirit of sight.