A Study Of The Cifu Of The Gods And Gods Before The Six Dynasties

The combination of the literary motif of human and god love and the literary theme of fu has formed a unique mysterious and romantic atmosphere of human and god love ci and fu.Since then,it has disappeared into the long river of literary history and became a "remain of the sea" in literary history.Therefore,in order to clarify the reasons,it is necessary to go deep into the text,clarify the development context,and explore the mysteries in the aspects of ideology,culture,social trends,and the mentality of the giver.The first chapter mainly discusses the works and stages of the main writers of human and god love.The development of human-spiritual cifu is mainly divided into two stages: the first stage is the beginning of stereotypes.The works in the beginning are mainly represented by Mrs.Xiang and Shan Gui in Qu Yuan's Nine Songs.Song Yu's The two fus in Gao Tang and Goddess have laid a solid foundation for the narrative mode of human-spiritual cifu,and have the power of stereotypes.The second stage is the period of maturity and decay.A large number of human and god love rhetoric emerged during the late Han and Wei Jin periods,and human and god love rhetoric became mature.Since then,the anthropomorphic poetry has gradually declined,and it has entered a period of decay after the Jin Dynasty.At this time,only Zhang Min's Goddess Fu,Xie Lingyun's Jiangfei Fu,and Jiang Yan's Water Goddess Fu were handed down to the world.The second chapter sorts out the evolution of the narrative mode of humanspiritual love.It can be seen from the investigation that the narrative mode of humanspiritual love has experienced a narrative scene from reality to dream,the description of the goddess image has changed from divine supremacy to humanity,and the tragedy ending can't be changed to the end of emotion because of etiquette.The third chapter mainly discusses the evolution of the theme and ideological connotation of human and god love.Affected by the trend of literary thoughts,the theme of human-spiritual love has undergone a transformation from satire to aesthetics.In terms of ideological connotation,compared with Qu Yuan,Song Yu 's ideological connotation tends to be narrower,showing the characteristics of approaching Han Fu and gradually leaving Chu Sao;but in the Wei and Jin Dynasties,Cao Zhi 's humandivine love vocabulary exceeded Song Yu,with the after rhyme of Nine Songs,shows a return to the ideological connotation of Qu Yuan's works.The fourth chapter mainly analyzes the reasons for the rise and fall of human and god love and their artistic value.The emergence and rise of human-spiritual love and fu are mainly influenced by witch sacrifice culture,humanity and desire,and the author's own ideal pursuit.Its demise and decline is due to its own rigid expression mode and changes in political situation and cultural trends.In addition,the artistic value of anthropomorphic cifu is mainly reflected in two aspects: on the one hand,anthropomorphic cifu has a profound influence on literary works on the theme of dreams,among which the theme of "Beauty Fantasy" created by Song Yu has attracted countless writers to compete Follow suit.On the other hand,human-spiritual cifu also has an important impact on the portrayal of female images of later generations of writers,especially the image of Luoshen in Cao Zhi's Luo Shenfu,which can be called the pinnacle of portrayal by goddess and has a profound influence on the creation of female images of later generations.