CiHu Annotation Upon Book Of Songs: Interpreting Mind Thought To The Book Of Songs

Yang Jian's CiHu Annotation upon Book of Songs which regards "six classics annotates my thought and my thought annotates six classics" as main principle of its interpretation, is a representative book of Mind School in the academic history of Book of Songs of Song dynasty. This dissertation reveals that Yang Jian's academic thought on the Book of Songs is an ideology directed by mind thought.At the mercy of the mind thought, CiHu Annotation upon Book of Songs Constructs a hermeneutic theoretical system.This theoretical system constituted by the study of classics, mind thought, literature, political and ethical philosophy CiHu Annotation upon Book of Songs has a very special distinguishing feature in the academic history of Book of Songs of Song dynasty. This dissertation includes seven chapters.The first chapter introduces the culture background of CiHu Annotation upon Book of Songs, this chapter explains that "respecting the preface of Book of songs" and "opposing the preface of Book of songs" is two ideological trend in the study of Book of Songs in Song dynasty. Yang Jian is an important member of the "opposing the preface of Book of songs" camp.The second chapter introduces Yang Jian's attack on the the preface of Book of songs. The theoretical system of the study of Book of Songs in Han and Tang dynasty is composed by the preface of Book of songs and notation of Mao Chang and interpretation of Zheng Xuan. The preface of Book of songs is just the program and core of this system. Yang Jian's attack to the preface is advanced in the aspects such as original meaning of Book of Songs, the theory of praise and criticism and the author of the Book of Songs.The third chapter introduces Yang Jian's attack on the notation of Mao Chang and interpretation of Zheng Xuan. This attack is a development of the attack to the preface of the Book of songs. In fact, as far as Yang Jian is concerned, the course of these attacks is just the course of interpreting his mind thought.The fourth chapter introduces the interpreting mind thought to the Book of Songs from the front, based on the attack to the theoretical system of book study in Han and Tang dynasty in second and third chapter. This chapter discourses how Yang Jian annotates the Book of Songs as a book full of mind thought.And this chapter is mainly developed by researches in Yang Jian's thought such an one keynote of six classics, ontology of mind of thought and cultivating and practice thought.The fifth chapter introduces Yang Jian's literature interpretation to the Book of Songs. Literature interpret is an inevitable development of Yang Jian's thought of "dao(mind)".This chapter discusses Yang Jian's thought on the creater, the creating origin, characteristic of lyric, reading method and literature implication of the Book of Songs.The sixth chapter introduces the political and ethical philosophy of Annotation upon Book of Songs. This chapter makes a deep research on the political fate philosophy, the thought of managing state affairs and ethical philosophy in CiHu Annotation upon Book of Songs.Yang Jian's political and ethical philosophy embodies his solicitude to the real world very vividly.The seventh chapter makes a comparison the book study thought of CiHu Annotation upon Book of Songs to the book study thought of Lu Jiuyuan, Zhu Xi and Lv Zuqian. At the same time, this chapter explains clearly that the interpreting principle of CiHu Annotation upon Book of Songs is "six classics annotates my thought and my thought annotates six classics". At last, this dissertation points out that the CiHu Annotation upon Book of Songs is a very valuable book for its special and successful mind annotation to the Book of Songs, and there is very sufficient reason to regard CiHu Annotation upon Book of Songs as a very valuable book.