| "The prose research"and"the Beijing style prose"have always been a chaos. China is a kingdom of prose;the creation of prose is so abundant that it can be called brilliant since old times till now.In the modern age, the prose creation has also been the extraordinary and splendor numerous. However,due to the long term in the the prose theory as well as to the prose style main body characteristic in the understanding of the insufficiency,the whole modern prose research has been actually unsatisfactory, remaining lasting at the level of being dispersing, commonplace, overflowing and old in hundred years of mordon prose study. The present paper research object"Beijing style prose"is also unable to agree similarly.Generally, people all regard the representative personages of the Beijing style literature as the representative writers of the Beijing style prose, for example Zhou Zuoren, Yu Ping bo, FeiMing, LiangYuchun,Shen Congwen,HeQifang,LiGuangtian and so on.The past history of literature generally also considered the Beijing style writers'as the Beijing style human prose, some even expanded infinitely the scope of representative writers of the Beijing style prose.Actually,this is different from the Beijing style prose in the real sense of the history of literature.Whom do the representative writers in the real sense of the history of literature refer to of the Beijing style prose? How has the Beijing style prose developed into a shool? With what? And has rarely been done into its in-depth thought value, prose theory value, literary style exploration value, creation posture enlightenment, over a long period of time profound.In view of this, this article intends to present an closer to the characteristics of the prose itself overall, thorough, and systematic study on the Beijing style prose in the real sense of the history of literature.Present paper falls into three parts: the introduction, the main body, and the conclusion.The introduction part throws light on the shortcoming and development trend of the hundred years'into modern prose research. The main body is divided into eight chapters altogether.The first chapter mainly deals with the role which the series of publications such as "Camel Grass", Da Gong newspaper,"the literary newspaper supplement", "Mercury", "Literature Magazine" played in development history of the Beijing style prose. This chapter holds that, the publication media is not merely the carrier of the Beijing style prose, but also one kind of par agenesis and co-prosperity relations.Not only has it provided the existence material base for the Beijing style prose, but also provided the linguistic environment of spirit and cultural formation and development of the Beijing style prose. More speaking, the publication media has affected the developing shape and the variation of the Beijing style prose, formed the Beijing style prose writer troop and the Beijing style prose creation standard, and restricted the style form of the Beijing style prose. From the Beijing style publications,we may roughly sneak a peek at complex courses of the Beijing style prose from the source, development, prosperity to declines of four generation and three stages of prosperity,such perspectives as the decline and changing .The second chapter from exterior growth linguistic environment, internal survival spell of good or bad fortune, Chinese and foreign prose spirit nourishing, straight line teacher study origin, as well as the Beijing style writers subjective initiative choice and creation , in comparison with the left wing prose of political and Lin Yutang'sketch prose in the same time, studies the different linguistic environment and the production mechanism of the Beijing style prose. The author thinks that its appearance has diffent subjective and objective restriction factors of the creation, its production and forming is complex, the limit and the opposition to the restriction process is different,and it is in this way that the Beijing style prose has completed itself.Third chapter is discussion of the theory of the Beijing style prose, this chapter holds that, in the modern prose theory construction, the Beijing style prose theory contribution has long been ignored. Although it is piecemeal, sloppy and disorderly, but every word is like a pearl, has the enormous vitality and for explaination space. The Beijing style writers to the pure prose determination and the independence, the creation principle, as well as the prose main body esthetic standard, appreciation and criticism and so on have presented viewpoint of great value,which may surmount past worthies, illuminate the present even the future.The fourth chapter has inspected comprehensively on the Beijing style prose from the source,development,prosperity to the variation and decline,which has experienced a complex and long changing process.With the Language Piece'idiophase declined at the end of 1920s ,it begin the dew clue to part variation of the mid and late of 1940s, highlights four generation stages and three issue of development veins,and its significance in the history of the entire modern age presenting overall appearance of the Beijing style prose.The above four chapters from perspectives like the linguistic environment of media,"the circular origin",and self spoking, elaborating the production mechanism of the Beijing style prose, and posibility, cam be called the previous production theory.The fifth chapter is divided into two parts, respectively by"flexible calling out in grief","challenge and accepting a challenge"analyzing the Beijing style writers same and prominent nostalgia tragedy and the psychological experience of the dual cultural perspectives of the region and the national capital. This chapter holds that the Beijing style prose the nostalgia tragic consciousness in not only has the traditional Chinese cultural nostalgia tragic cultural connotation but also has the physical human attention. They are "the small letter persons". They love and hate the hometown deeply; repeling to the city, but lingering at. They are complex, contradictory, painful, but are positive."The challenge and accepting the challenge"stresses that, the human is the cultural animal. When the Beijing style writers came to the city from the village, its direct and the surface layer psychological induction was first one kind of nostalgia, then was two kinds of or many kinds of cultural collision. But when facing city civilization its in-depth demonstrated as the local cultural man, because the metropolis and the village are not merely regionally and socially different, but different in the cultural shape and the experiencing way."The metropolis space"and"the village space"not merely refer to one kind of solid existing space, but also refer to the poetic space which the spatial place produces and brings.The sixth chapter is intended to inspect philosophical connotation of the time pattern in the Beijing style prose. The Beijing style prose's time, is not merely naturally supplementary of the time latitude apparent with in the form of narration or the description in the way,but contains the Beijing style prose writers'experience and understanding of life.In other words, Beijing style prose timeliness is a unity of the Beijing style writers'numerous enchanting ideological scopes,As for the Beijing style prose, timeliness is not the way of narration and description way as one behavior a supplementary and apparent scheme of , is not simply"one kind (story) time for another kind (text) time", but is rooted in the time experience of the humanity in the world motion, and one kind of time which can refer.it was no longer one kind of pure narrative time, but a window for understands the Beijing style writers'intrinsic thoughts.This dissertation takes Shen Congwen's mournful"circulation",FeiMing's continuous"instantaneous", LiangYuchun's plane past, special scale and so on as the representative spot, to microscopical inspect to obtain the overall perceptual characteristics, comprehend the philosophical meaning of its humanity, psychology and metaphysics.The seventh chapter holds that, the structure of the Beijing style prose is one kind of internal growth form of life structure exceeding external manifestation, The structure of the Beijing style prose not does pay much attention to the begining, the center-section, the ending and the sentence pattern organization and the careful, exquisite layout of the exterior shape,but stresses to transform the creation corpus'unique consciousness, emotion, thought, life experience into the meaning form of the material shape .Displayed in the Beijing style prose structure has non-, does not have has and the internal structure principle, the opening free aesthetics and the order condensed aesthetics,has the vital significance in the history of the entire Chinese prose structure and even entire Chinese classical article structure. In the eighth chapter, the Beijing style prose angle of view is studied by taking the double roosts nature,the hypothesizedness, the dislocation, the potentiality,and the passiveness as the observation respectively,inspecting its fluidity,diversity,richness,to seek the prose style on how to display the mystery of the authors'sense as far as possible, and draws the following conclusion:the angle of view of the Beijing style prose fluctuating and complex, still has the essential difference from the novels, no matter how fluctuating, it is not out of control of real me, multi-dimensional turns over to one, breaking of through the traditional omnipotent sole angle of view.The ninth chapter deals with Chinese modern language image of the Beijing style prose. This chapter holds that, Chinese modern language image of the Beijing style prose refers to language symbol system of the Beijing style prose to create can present the"China"cultural in-depth significance or can cause the human to imagine the esthetic charm language image from the different aspect which the"China"cultural in-depth significance has may feel specifically.It belongs not only to China,but also to the modern times,it is esthetic and cultural, which is Chinese language image one kind of esthetic and cultural explanation of the Beijing style prose. The language image of the Beijing style prose has an overall esthetics characteristic approximately, that is: the prose language not only reappearing the social reality at that time, moreover it reappeared the social complex diverse language image at that time, simultaneously this language image also possesses classically elegant traditional flavor of China,it is the tradition in the immediate present. The Beijing style prose language image as the modern Chinese language image in the esthetic expression is also reappearing the Chinese modern integrity, the Chinese modern artistry, the Chinese modern image and so on at the same time in the varying degree.These five chapters mainly deals with such aspects as life experience, the time pattern, the structure,"the viewpoint", and the language of the Beijing style prose,which can most manifest main body characteristics of the prose style to inspect the individuality characteristics and the contribution.This is the lower part of ontology. As the final analyses point out, the Beijing style prose as one time talking the pure"belle-letter"and the prose style's main body return as the swan, has great value the prose literature attempt. Its contributions and the announcement significance on the prose theory, literary style exploration, creation posture, making it to become the rare monument in the history of mordon prose.
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