| Fu, as a kind of unique style between poem and prose, origins from Zhanguo time, booming in Han-Dynasty. The Parallel-Fu of Liuchao, the Poem-Fu of Tang Dynasty and prose-Fu of Song Dynasty, had built up the base sequence of Ci-Fu evolution. Poem-Fu was used to elect bureaucrat and endowed with superiority. Prose-Fu was thought highly during Yuan and Ming Dynasties. By Qing-Dynasty, as a result of the Poem-Fu was respected again , Tang-Fu was thought model of Fu 's writing. Then an argument between Prose-Fu with Parallel-Fu appeared and became another important clue in literature theory area.It is undoubtedly that Qing-Dynasty was the most important period for the evolution of Fu-writing and Fu study. Bing a booming time of Fu study, along with the literature evolution, Fu-writing as well as Fu study all gained outstanding achievement .Fu-writing pursed artistic conception which used to be a factor of poem writing. This feature showed a deeply comprehensive style of Fu different from Poem and Prose and gave a clearly developing orbit of Fu evolution. In other words, Fu had built up its unique express style.By the early Qing Dynasty, Kanghsi time, Fu writing and Fu study inherited the classical style of late Ming Dynasty. Sao Fu, Prose Fu, Essay Fu were respected, the deeply consciously style were valued. As a result of regular style created for imperial examination was looked down on, Chu-ci study was taken seriously unprecedented and unrepeatable. Flourishing of Fu writing was caused finally. Catering to the requirement of ruling class, some specialized criticism appeared by way of prelude essay at the beginning of books as well as other articles. According to this feature, Fu study began to change its direction from passion-respected to tasteful and pronounced. This change built basic color in both Fu writing and Fu study during Qianjia time.By QianJia time, Jingxue and Puxue was the main trend of academic. Along with the argument between Han-style with Song-style and Parallel-style with Prose-style, creation of classical Fu and rhymed Fu all acquired huge achievement. On the one hand, large quantity of rhymed Fu had been created as a result of bureaucrat selected by rhymed Fu writing. Emperor opposed this utility trend and had a high regard for classical style. His advocating caused enthusiasm of classical Fu writing finally. During this period, Han-style and Sao-style were valued, Han-Wei style was respected to be the model of Fu writing; for rhymed Fu writing, Tang-style was respected, a comprehensive theory system distinguished by artistic conception, classical taste and embracing had been built up. During this period, argument between classical Fu with rhymed Fu was mediated and became the main feature of Fu theory.In late Qing Dynasty, Tongzhi and Guangxu time, the current political situation became turbulence. This period was a low time in Fu history. As a result of the negative influence brought by west academic, argument between Han-style with Song-style, Parallel-style with Prose-style had been mediated further. By Daoguang and Xianfeng time, theory about classical Fu developed slowly. Theorists thought highly of Qing Fu instead of Tang Fu, they dissatisfied and criticized the coarse writing of Tang Fu. This phenomenon became the main feature of Fu theory at that time.By GuangXu time, study on Fu selection and Fu theory were pushed on another peak. Summary of literature was carried out completely. Theorist made a reasonable selection and advocated "Using classical expression as well as rhymed expression" . Liu-xizai 《Fu Gai》 stand for classical Fu style of that time. On the contrary in QianJia and XianTong time, he opposed Tang... |
