Non Overall Star Cluster

This thesis is a kind of textological interpretation to Adorno's Aesthetic Theory. The thesis try to enter into the maze of the text to explain it intrinsically, including the two main realms of which are beauty and art of the aesthetics. In the process of writing the article, the author carries on the analysis towards the object historically and objectively, using Aesthetic Theory as original version, setting out from the essential proposition and important problem in the aesthetical history, taking the comment with the problem.The thesis considers that Adorno has a dialectical criticizing attitude, showing a special negativity features in his theory, it also traces back to a social critique in Dialectic of Enlightenment and a philosophical critique in Negative Dialectics. The author have an opinion that the former is the negative dialectic to the totality society, the latter is the negative dialectic to the traditional system philosophy. This kind of special thinking method presents for a kind of untotal mode of "constellation".Corresponding to this, the text of Aesthetic Theory becomes a forcefield of some problem about aesthetics. Adorno launches the critique between history and reality of the aesthetics. Through the investigation to the aesthetical present condition, Adorno delivered the necessity of the aesthetics with a foothold on the relation of beauty and truth, and he also showed us a dialectical and renascent road of the basic method of the theoretical thought at the same time.Seeping into the aesthetics to explain the aesthetics, this kind of method carries t on arguments with the "philosophy of beautiful art" from the analysis on beauty and pleasure. At the same time, from some aspects such as art and artworks, creation and appreciation etc., it extends into the art realm to explain art again, takes an explanation on the aesthetical theory of art.Finally, considering the problem about the origin of art in the art history, the thesis derives a true meaning of art from the differentiation to the style of classical art and the black idea of modern art.