"The World" And "The Subject" Within The Scope Of Chinese "Civilian Teleplay"

Taking " ideology" as an consistent critical concept in the study, the thesis analyzes two subjects:"the world" and "the subject" within the scope of Chinese " civilian teleplay".With reference to the theories of Lacan, Foucault, Baudrillard, the thesis explores several ways of world construction and subject generation in four classic Chinese civilian teleplays in order to probe into the relationship between the world and the subject.The first chapter discusses the "objective world " and the "self-evident subject" of the teleplay Desire; Within the framework of Lacan's structuralism psychoanalysis, the second chapter inquires into the "world of three realms" and "the others" of the teleplay Blank Mirror; With reference to Foucault's theoretic framework, the third chapter discusses the "world of power" and the "constructed subject" in the teleplay Golden Wedding; and based on Baudrillard's simulacra theory, Chapter 4 approaches the " simulated world " and the "fragmentary subject" in the teleplay Dwelling Narrowness.The final conclusion focuses on how different concepts of the world are formed and varied in different social frameworks, and how the subjects respond to and are generated out of them respectively.