A Comparative Study Between The Three Kingdoms Dramas And The Water Margin Dramas

Hero worship is an indispensable essence of human care, the hero of the story have generally loved and welcomed by the people. In the development of relatively mature form of Yuan drama, the hero of a play is one of the unique category. Yuan many heroes in the play, the opera and the Water Margin play it their way into a series of readers and viewers to show their intrinsic and unique aesthetic style. This article in the Yuan Dynasty, as the opera and Shuihu Drama comparative study of objects, respectively, from both the theme, style and the reason behind several aspects of both for the comparative study found the differences and similarities, thus to some extent revealed Yuandai complex cultural meaning, reflecting both opera contains some cultural psychology.Full-text including introduction, body, and the surplus discussion of three parts.Introduction heroic play with some overview of the Yuan Dynasty Cultural Psychology, Research and the academic review a brief combing, statement value and innovation of this study.Text is divided into three chapters.Chapter I: carding Yuan play the opera and the Outlaws of the Marsh case records lost. List were displayed, and whether the designated number of plays, rules for the object of this paper to explain and define.Chapter II: The two opera embodies the theme of the comparison. Water Margin story of three stories and has experienced the spread of all the long years, the spread in the long process of the theme with the times and changes in social background and showed different tendencies, with a distinctive mark. The development of the Three Kingdoms to Yuan Dynasty story, the play embodied in the three countries, "Luo Guanzhong" theme clearly strengthened by the general public's acceptance and recognition; the Water Margin story development to the Yuan dynasty, reflecting the play in The Water Margin, is to concentrate but clearly labeled "for good" banner.Chapter III: The performance of the two types of drama compared the style of reflection analysis.Yuan Dynasty and the opera's narrative biographical literature closely, most of the play's hero had real history, and active in political and military arena, the hero, whether conduct training, or behaviors, are printed on them illuminate the characteristics of traditional culture and color, are exemplary. The Yuan Dynasty Water Margin heroes of the play is mainly from the folk legends and interpretation, with obvious wilderness atmosphere. Therefore, the two heroes of the play writer in the characterization of these heroes and take the two different routes, each has its advantages manifest in the external morphology of these two heroes from Trolltech to the inner feelings and characteristics. Chapter IV: the contents of the two types of Chinese opera style of the causes of similarities and differences.Yuan Dynasty play the opera and the content and style of The Water Margin showed a greater difference in the reason, reason, the paper spoke of three. First, the Yuan Dynasty the opera is mainly something to fall back to start the three official history interpretation, and despite the playwright's adaptation of the Yuan Dynasty, in which characters are given a greater degree of re-creating, but the number of marks with the official history of literature; the Yuan Dynasty in the opera involved in Liangshan heroes uprising leader Song Jiang although related stories history records, but the main characters in the play The Water Margin is recorded in historical documents that are not seen, together with Song Jiang suspense left the outcome of the uprising, which left behind a Legends will be attached great fictional imagination,Plus the Song and Yuan Dynasties art of talking to the prosperity, so many legends Water Margin heroes one by one floor molding. On this basis, the Yuan Dynasty in the Water Margin is also flourishing opera developed into a series since. Second, the two heroes show the formation and material related to the play by the playwright into the idea, with the creation of different cultural backgrounds and with different sectors of the population was associated with cognitive psychology. Germinal out from the above two reasons the third reason was that the narrative perspective of two different heroic drama, the opera is mainly embodied in the Yuan Dynasty scholar narrative, mainly embodied in the Water Margin Dramas Folk Narrative. TwoTaken by the heroes play different narrative perspective, the natural will work showed different aesthetic tastes. The opera scholar reflected more fun, charm and reason heavier lyric poetry; Water Margin Plays reflects secular interesting, more important secular humorous and sensual stimulation.The surplus discussion add that this article on the part of the Yuan Dynasty in the Water Margin play the opera and comparative analysis, the people of the two types of Chinese opera and folk fusion on the one hand a certain degree of diplomatic neglect and ignore the cause.