Research On The Exhibition Of Huzhiming Memorial Hall In Guangxi

The friendship between China and Vietnam,established and nurtured by old revolutionaries such as Mao Zedong and Hu Zhi Ming,has had a profound impact and served as a source of inspiration for the two peoples,and it is our collective responsibility to uphold and advance this precious legacy of revolutionary friendship.To this end,the cities of Liuzhou,Longzhou and Jingxi in Guangxi have successively undertaken the construction of the Hu Zhi Ming Memorial Hall to promote the deep-routed revolutionary friendship between the two nations.However,with the rapid development of the Internet era and the increasing aesthetic appreciation of the public,traditional exhibition means have been unable to fully meet the spiritual needs of the public,nor can they better play the social function of memorial exhibition halls.Based on this premise,this study focuses on examining the exhibition content and formal design of the three museums,leverages the extensive research conducted by the academic community on museum exhibition design and related theories,and also draws insights from the practice experience of designing exhibitions in revolutionary figure museums across China.Also field research and targeted problem analysis have been conducted in the three museums,with a view to exploring potential methods and approaches to address the exhibition-related challenges faced by the three museums.This article starts with the traditional culture and revolutionary consciousness of China and Vietnam,and delves into the historical foundation and intrinsic linkages that underpin the friendship between the two countries.Secondly,through a large range of field research in Guangxi,master the general distribution of Hu Zhi Ming related exhibition.In the process,with a focus on the present state of the Hu Zhi Ming Memorial Museums in Liuzhou,Longzhou and Jingxi,it analyses their exhibition characteristics in terms of the narrative content design and the spatial expression of formal design.Additionally,this article elaborates on their contemporary significance and relevance.Lastly,the exhibition design of the three museums is analysed in light of its deficiencies and formal design.Specifically,shortcomings in content design are identified in three areas: the exhibition outline,the exhibition plan and the textual descriptions provided within the exhibition.In terms of formal design,the three aspects of communication concept,pattern of manifestation and interpretation of the value of the old site are analysed in terms of their shortcomings.Based on this,a series of strategies included: establishing a team of professionals,expanding communication channels,conducting comprehensive research on Sino-Vietnamese culture relics and historical materials,and incorporating emotional design elements into the exhibition space.The ultimate objective is to address the prevailing exhibition challenges and foster improved growth in the exhibition sector,while effectively promoting education on the revolutionary traditional of China and Vietnam.