Innovation is the driving force of cultural development.In the context of cultural consciousness and cultural self-confidence,national traditional sports should have the consciousness of innovation and development.Enriching the connotation construction of Chinese traditional sports culture,combining tradition with modernity,combining innovation with development,upgrading cultural transformation and carrying out cultural reproduction in the new era are the inevitable road of traditional culture inheritance and innovation.In the context of building a "sports power" and carrying out nationwide fitness,to promote the transformation of the traditional national sports Chinese-Yoyo,let more people know,like and learn to play a significant role in the national fitness arena.This paper adopts the methods of literature,video analysis,expert interview and questionnaire survey,using Bourdieu’s theory of Cultural reproduction,combined with the knowledge of sociology,sports,art,pedagogy and other related disciplines,to explore three kinds of stage activation paths of Chinese-Yoyo from a new perspective,including the needs of performers,designers and audiences for the stage,and the internal and external dilemmas existing in the current Chinese-Yoyo stage design.To explore the innovative ways and methods of Chinese-Yoyo stage in line with the needs of the public.Among them,Video analysis is used to select different representative stages in acrobatic stage,Folk performance stage and national fitness stage for in-depth analysis.This paper makes a concrete analysis on the elements of the current Chinese-Yoyo stage performance,such as scenery,props,clothing and makeup,music,sound and optoelectronic fusion,in order to provide innovative ideas and inspiration for the creation and design of Chinese-Yoyo stage performance.Finally,the conclusions of the study are as follows:(1)At present,the stage performers of Chinese-Yoyo in China are mainly composed of a few young acrobats and most middle-aged and elderly retired fitness teams,but there are few campus performers.Acrobatic performers have strong skills and relatively low educational background,but Chinese-Yoyo performers with different educational background,different professions and different skill levels began to appear on the national fitness dance stage.The emergence of the national fitness stage has broadened the audience of the original Chinese-Yoyo acrobatic stage,folk performance stage,and Chinese-Yoyo stage performance has moved from a specific space to a living space.(2)The Chinese-Yoyo stage attracts audiences of different age groups,different academic qualifications and different occupations,but retired fitness groups and school groups are the main force.The stage performance of Chinese-Yoyo has become the main way for them to learn and appreciate Chinese-Yoyo.Although different groups have different needs,the three forms of expression of Chinese-Yoyo stage are quite attractive to them,which makes the audience have higher expectations for the inheritance and innovation of Chinese-Yoyo stage performance.(3)The five elements of stage elements,such as scenery,lighting,clothing and makeup,props and music,are playing a more and more important role in the three stages,especially in the major events stage and high-end stage.The Chinese-Yoyo stage has a better display of technology because of the innovation of the five elements.(4)Chinese-Yoyo performers also interact with Chinese-Yoyo audiences through modern media,and most Chinese-Yoyo performers also learn to imitate excellent Chinese-Yoyo works through video,and video media become an extended means of Chinese-Yoyo stage performance.so as to deepen the dissemination effect of Chinese-Yoyo stage.(5)The Acrobatics stage of Chinese-Yoyo acrobatics consumes a lot and obtains relatively high financial support,while the Chinese-Yoyo stage of social fire temple fairs and the national fitness stage of Chinese-Yoyo get less support.Through the display of stage image,the cultural symbol of Chinese-Yoyo has been strengthened.In the process of pursuing the best form and cultural reproduction,and in the high expectations of the audience,Chinese-Yoyo stage performance needs to overcome internal and external difficulties and promote the dual reproduction of Chinese-Yoyo "technology" and "art". |