Research On The Protection Of Digital Music Copyright

In the era of big data,the dissemination and storage of music works adapt to the new development of digitization,and digital music has emerged.In the third revision of the Copyright Law,it is clarified that "digitization" belongs to the act of reproduction,thus affirming that digital music is protected by the Copyright Law.However,the intangible object characteristics of digital music works strongly impact the music copyright protection system established on the basis of traditional "objectification" carriers.At present,the Copyright Law does not provide new regulations for the protection of digital music.However,in judicial practice,there are issues such as the widespread infringement of digital music,the complexity of infringement forms,and the difficulty of protecting the rights of digital music copyright holders.However,the current copyright infringement liability system is difficult to respond.At the same time,the exploration of digital music copyright licensing models has always been a focus of academic discussion.The application of legal licensing systems is conducive to balance the different interests pursued between network service providers and copyright owners.In addition,the collective management organization of copyright in China has hindered the development of digital music industrialization due to its monopolistic position,and the digital music copyright protection system needs to be further optimized and improved.This article intends to adopt a comparative research method,by elaborating on the connotation and characteristics of digital music,the development process of digital music copyright,and sorting out the current status of digital music copyright protection.Starting from the particularity of digital music in copyright protection compared to traditional music works,new suggestions are proposed for digital music infringement disputes.By using literature research and case analysis methods,combined with foreign research on digital music protection systems,especially the innovative regulations related to licensing systems and collective management organizations in the United States’ Music Modernization Act,we aim to standardize the operation mechanism of digital music copyright,construct a preparing warning mechanism for digital music copyright disputes,optimize the licensing model of digital music copyright Clarify the standards for digital music royalties and licensing fees,and provide reference significance for the protection of digital music copyright in China.Based on this,it can be concluded that building a systematic and three-dimensional digital music copyright protection system should be carried out from three aspects: Firstly,in response to dispute over digital music copyright infringement,the standard of liability for digital music copyright infringement should be clarified,supplemented by promoting the application of regional chain technology in digital music copyright protection;Secondly,exploring new development models of the legal licensing system in the context of digital music,Enhancing institutional practicality,and achieving a win-win situation between digital music copyright protection and public interests;Finally,introducing a competitive mechanism to break the monopoly position of copyright collective management organizations,constructing a reasonable supervision and constraint mechanism,and providing more comprehensive protection for digital music works.