| Before the actual performance,the performer and his works should have experienced the complex process from image to image,and then the image into the ideal music image,and the performer needs to give full play to his synesthesia in the later stage to combine his intention,aesthetic taste and music,and show it more accurately and effectively in the specific acoustic processing.Although Rossiniana No.l is too large to be analyzed in its entirety,it has certain storytelling and melodrama,as well as certain singing quality based on the original opera.Besides,it has vivid and easy to examine situations,and the music score also has rich levels.As a performer,I believe that by taking Rossiniana No.1 as an example,I can make a more vivid cross-professional and multi-angle analysis to explore the music image shaping in classical guitar performance. |
