Investigation And Research On The Three Groups Of Shengguan Music In Beijing,Tianjin And Hebei

The Beijing-Tianjin-Hebei Shengguan music is formed and spread in Beijing,Tianjin and some parts of Hebei Province.It is a typical type of folk instrumental music that is jointly inherited by many regions in China.Most of it is "ceremonial" and closely related to local folk beliefs,community affairs and ancestor worship.In this paper,three representative Shengguan music clubs in the Beijing-Tianjin-Hebei region are taken as the research object,and various methods such as field investigation,music ontology analysis and anthropological interpretation are used to carry out a comparative study on the history of their organization establishment and development,band compilation,inherited scores and music,palace tone,social function and inheritance mode,etc.On this basis,from the existing situation of the three societies’ differentiated existence as a breakthrough point,explore the social background and reasons behind the policy influence.Due to the influence of many factors such as the inheritance history and different cultural policies of the three places,although the three societies generally show a certain degree of similarity in the inheritance of part of the repertoire,band composition,performance forms,basic music styles and other aspects,there are great differences in the mode system,music society attributes,inheritance mode,religious belief and other aspects.There is even a differentiated understanding of the structure of the cliches.In the era of civilization with rapid economic development,funeral ritual music,which coexists with traditional Chinese rites and customs,has been well inherited and protected in Beijing and Hebei,while in Tianjin it is put on the hat of feudal superstition.The prohibition of "blowing and chanting sutras" makes it difficult for the music community in this region to survive,thus creating a differentiated existence among the three places.The Beijing-Tianjin-Hebei region is an integrated and culturally integrated region.Since ancient times,it has been closely connected in politics,economy,culture and other aspects.In recent years,the national level has put forward the strategy of "coordinated development of the Beijing-Tianjin-Hebei region",striving to form a new pattern of coordinated development featuring the same goals,integrated measures,complementary advantages and mutual benefit.As an important part of culture,the study of Sheng wind music has become an important content to promote the coordinated development of Beijing,Tianjin and Hebei.At the same time,the vision of integrated development strategy also provides a very important opportunity for the development of sheng wind music popular in the Beijing-Tianjin-Hebei region.Based on this background,this paper finally uses the method of combining history with reality and combining theory with practice to explore what important inspiration and reference significance the different living conditions of Beijing-Tianjin-Hebei sheng wind music in contemporary society have for the coordinated development of Beijing-Tianjin-Hebei culture.The purpose is to explore how the three societies can take the express train and gradually realize the coordinated cultural development of Beijing,Tianjin and Hebei,and make new contributions to the coordinated development of Beijing,Tianjin and Hebei.