Break And Reshape:Research On The Tibetan Director

Tibetans are one of the important ethnic minorities in my country.The unique geographical location and the long-term influence of folk customs have produced a relatively distinctive ethnic culture.At present,Tibetan culture is in a complex cultural context.Based on the external expression of others and internal cultural introspection,Tibetan directors use ethnic identity as the link and ethnic culture as the cornerstone to construct a set that truly belongs to ethnic minorities.The film language of ethnic cultural subjectivity.Since the beginning of the new century,led by Panda Caidan,Tibetan directors such as Songtaijia and Lahuajia have gradually formed a relatively closed-loop production system due to similar growth environments and common creative motivations.They not only have the affection for their hometown from being born and raised in their hometown,but also look back after "leaving" their hometown.The dual creative mentality enables them to not only record the reality,but also objectively examine the traditional ethnic culture and the social reality in the process of modernization.There are two stages in the creative process: one is to "break" the discourse of others,and the other is to "establish" self-expression.They responded to the mainstream narratives and landscape wonders in early Tibetan-themed films with a documentary aesthetic,creating a set of subject image systems based on the original ecological landforms,folk customs and culture.And in the continuous creation,the "establishment" of the film style was carried out,and the "alienation" aesthetics based on the documentary was presented in the video style.They write about the state of Tibetans wandering between tradition and modernity,and constantly experiment with film images and sounds.Film languages such as frame,composition,color,ambient sound,and soundtrack have all become elements of continuous breakthroughs in creation.Using film language The documentary and modernization to match the actual process of ethnic culture,and finally established their own video style.This expression between self and others,reduction and alienation is not only influenced by traditional ethnic culture and religion,but also because of the influence of modernity on reality.The media and science have changed the standard of living and the way of thinking,but it is accompanied by the general anxiety of ethnic and cultural identity among Tibetans.However,judging from the attitude expressed in the film text,although Tibetan directors have presented certain practical problems,they still hold a positive attitude towards reality.It can be said that the creative path of "breaking" the words of others and "establishing" self-expression by Tibetan directors not only effectively demonstrates their own ethnic culture,but also has enlightenment significance for the development of minority films.