Research On The Artistic Phenomenon Of "Tibetan New Wave Films"

Since the movie "the quiet Mani stone",the influence of Tibetan image in the world has gradually increased,forming a new "force",which has attracted widespread attention.Then came a group of directors with Tibetan identity,such as songtaiga,lahuaga,duojicairang,argang yarki,who pondered and expressed their native culture,and built a real natural and true Tibetan folk world.These films carry the director's thinking about the conflict between Tibetan traditional culture and modern culture,as well as his yearning for the pure world of his hometown.Based on the relevant works of "Tibetan new wave film",this paper analyzes its artistic features from three aspects of image style,content theme and cultural significance.At the same time,in the first chapter,the development history of "Tibetan New Wave movie" is briefly combed to frame the concept scope of "Tibetan New Wave movie".And,based on the analysis of the text,the third chapter discusses the future development of "Tibetan New Wave movie".The study of "Tibetan new wave film" has ten important academic significance.As a new field of Chinese film in the new century,it carries the shaping of Chinese national culture and the spread of ethnic culture,and plays an important role in the transmission of the core value of Chinese culture to the world.The study of "Tibetan new wave film" is conducive to analyzing its current situation from the text and finding a better way to develop.