A Study Of Haptic Aesthetics In Female Films

In recent years,female filmmakers have won awards frequently in international film festivals,and their attention to the senses and the body has become a common feature of female films.This focus on sensation coincides with the turn of sensation in film theory.The exploration of sensation aesthetics and touch theory based on sensation and body provides a new perspective for the interpretation of female films.Reviewing the creation of female films,it can be found that some female films have formed unique haptic aesthetics in the use of haptic strategy.This study focuses on the creation practice of haptic images by female filmmakers,explores the relationship between haptic aesthetics and female films,as well as the strategies and significance of haptic expression by female filmmakers.The first chapter firstly analyzes related concepts of "haptic",summarizes the development of haptic visuality theory,and then discusses the generation mechanism of haptic image and its style.The second chapter enters into the creation level of female films,from the two perspectives of film history and creation form,analyzes the female film haptic image creation practice.The third chapter explores the influence of haptic strategy on viewing relationship based on female film creation practice.On the one hand,this influence is reflected in the remodeling of the relationship between subject and object,on the other hand,the shifting of viewing viewpoint brought by the camera Angle and the diversified presentation of the relationship between seeing and being seen,which jointly affects the expression of female consciousness.The fourth chapter focuses on female films since the new century,and analyzes the affective criticism reflected in the use of haptic strategy in female films from three aspects: the metaphor of social history,the ambiguity of gender order and the challenge of human boundaries.