| Since the new century,with the promulgation of favorable national policies and the vigorous development of documentary creation,especially in recent years,more and more domestic documentaries targeting the life,creation,and hometown of writers have ushered in a creative peak.The dissemination of these documentaries through media channels has caused strong repercussions among the general audience,causing strong spiritual shocks inside and outside the "screen" and "screen".The author refers to this type of documentary film,which focuses on writers as the main object of filming,constructs the history of writers’ writing,growth,and soul through images,and is characterized by historical presence,image directness,and textual interactivity,emphasizing the expression of writers’ lives,creative concepts,and thoughts as writers’ documentaries.Undoubtedly,as an electronic communication medium in the era of visual culture,writers’ documentaries allow people to view writers’ lives,perceive their experiences,and thereby read literary works structured within the documentary.It goes without saying that people "read" and interact with writers’ documentaries as a powerful "cultural text".To a certain extent,it actually links people’s collective memory,forms cultural identity,strengthens internal "traditions",and realizes meaning appreciation and cultural reproduction.In other words,the image dissemination of writers’ documentaries has well promoted the integration of traditional literature and communication media,allowing literature to gain some internal impetus for reproduction in the era of visual culture.Writers also use image media to personally participate in telling their own literary stories,telling their own secret history of their hearts,and describing the shaping of typical characters in their works,thereby completing the media translation of paper text and image text.This article takes domestic documentary films by writers since the new century as the research object,focusing on the perspective of film and television theory and communication theory,comprehensively utilizing the "presence doctrine" theory,cultural memory theory,media interaction and acceptance theory,and postmodernism theory,and combining text close reading,literature analysis,case analysis,and other techniques to carry out corresponding exploration,This article focuses on analyzing the imaging mechanism and the issues between acceptance and dissemination of documentary films by writers from different theoretical perspectives,and presents a macro and holistic depiction of domestic documentary films by writers since the new century.The full text is divided into four chapters,and the main text is divided into three parts:first,the author mainly discusses the construction of the author’s documentary image through the two dimensions of historical image and documentary framing,in order to analyze the two main types of image in the author’s documentary Make a relatively complete and systematic overview of the source,and use it to clarify the basic constructive factors of the writer’s documentary,so that the hidden writer and the text can regain the possibility of being interpreted,through the writer’s embodiment and attempt in the video The "restored" literary scene achieves the basic framework of its construction in this way.Secondly,the second part starts with the image dissemination of the author’s documentary,and tries to discuss the author’s communication with the media,The interaction between text and readers generates "literary images",and further realizes the effective dissemination of writer’s documentaries.Finally,although with the arrival of postmodernism’s "representational crisis",there is an irreversible tendency for literature to lose its subject position as the image of the soul,and the form of literature communication is also facing an increasingly embarrassing situation,but the author believes that literature is still relying on its own The attributes of spiritual construction and meaning loading try to obtain a new possibility of "re-medialization" dissemination-image dissemination of writer’s documentary,and the author confirms that it is an effective fusion of audio and video through further analysis of the cultural coding mode of writer’s documentary "literary reproduction" approach.Undoubtedly,the writer’s documentary has given literature a path of "re-media communication" of "emotional comfort","historical return","memory production" and cultural identity. |
