Practical Research On The Painting Language Of Waterborne Materials In Creation

In the context of modern society,with the progress of technology,many new types of painting materials have emerged in our vision,greatly enriching the types of painting media and the performance effects of the screen.Water based painting materials are one of the important ones.The continuous updating of iterative water-based painting materials has enriched the expressive effects of water-based material painting language,and more water-based material painting expressive languages worth exploring have emerged.In order to better control this painting language and make it serve the screen,art creators need to invest more thinking and make more attempts to break through the shackles of tradition.The expression language of water-based material painting is an important expression language for artistic creators to create.Innovations in material types and application methods have made them more expressive and contemporary.This article focuses on the development of water-based material language,and studies the various manifestations of water-based material language in practice through comparative analysis and practical research of specific works.The first part of the article aims to demonstrate the origin and development of the painting language of water-based materials.Starting from two different perspectives of the East and the West,this paper makes a comparative analysis,and briefly summarizes the different characteristics of the development of water-based material languages in China and the West with a clue of time.The second part mainly analyzes the performance advantages of water-based material language in painting.When using the language of water-based materials for painting,it is necessary to be familiar with the performance advantages of a certain amount of water-based material language in order to make the painting targeted and better represent the picture.The main performance advantages of water-based material language in painting can be summarized as covering compatibility advantages,random incidental advantages,and freehand brushwork performance advantages.The third part elaborates on the application of water-based material painting language in painting practice.Based on the differences in the way water-based materials are used and presented on the screen,they can be summarized into four categories: infiltration and rheology,mixing and stacking,scraping and rubbing,and collage synthesis.The fourth part summarizes the aesthetic value of water-based material language.Analyze the aesthetic feelings and values generated when viewing water-based material language paintings.The fifth part is the practical creation part,which shows the individual’s creation and practice of water-based material language painting works when painting.To sum up,this article mainly focuses on the relationship between water-based material language and contemporary painting,and applies water-based material painting language to painting creation.This exploration is a new development for both the development of water-based material painting language and the innovation of painting creation.