A Study On The Literary And Artistic Thoughts Of Yi Yuan On Painting In The Year Of Song

Due to social and historical reasons,the ancient literary theory of the Mongolian ethnic group has a three-source structure from its emergence to its formation,and it develops from a three-fold system,namely,Mongolian literary theory,Chinese literary theory and Tibetan literary theory.Among them,Chinese literary theory is formed and developed gradually with the Mongolian people accepting Han culture and learning Han literary criticism.From the beginning of the Qing Dynasty,the literary theory of Mongolian Chinese gradually developed and became mature at the end of the Qing Dynasty.Songnian,a Mongolian painter and literary theorist in the late Qing Dynasty,is his representative work on Yiyuan Painting."Yiyuan on Painting" always has both painting theory and literary criticism.Songnian puts forward his unique views on literary creation,development and appreciation.This paper consists of five parts: introduction,three chapters,conclusion,references and appendix.The introduction mainly introduces Matsunian’s life,creation background,research overview,research reasons,research significance,research methods and so on.Songnian inherits the thought of "uniformity of poetry and painting" and "homology of calligraphy and painting" in ancient Chinese literary theory,and creates "Yi Yuan on Painting",so the whole text runs through the literary and artistic thought of "homology of calligraphy and painting".The first chapter is to analyze Songnian’s requirements to the creation subject in Yiyuan on Painting from the perspective of creation theory.Songnian believes that "literature is like its people",the first importance of literary and artistic creation is the character,the quality of the character determines the work.He attaches great importance to the importance of the creative subject’s hard work in the process of creation,and literary and artistic creation needs to study hard and persevere,so as to have the opportunity to reach the peak.The second chapter analyzes the issues of art appreciation,artistic image creation and artistic conception in Songnian’s Yi Yuan on Painting from the perspective of aesthetics.Chapter three analyzes the inheritance,innovation and other issues raised in Yi Yuan on Painting from the perspective of development theory.Ancient Chinese literary theory can be found from the pre-Qin and Han dynasties.Mongolian literary theory,from oral literature to written literature,from the Secret History of Mongolia to the Romance of the Qing History,writing historical prose to historical novels,the ancient literature of the Mongolian gradually developed to the heyday on the basis of inheriting the tradition.Matsunian was also keenly aware of the inner development law of literature and art.Yiyuan on Painting is one of the important works of ancient Chinese literary theory of Mongolian people.It is a cultural wealth created by Mongolian literati in a specific social and historical environment.We should pay attention to the study of this part of the cultural heritage,study its development characteristics,literary thoughts,etc.,so as to show the development of the Mongolian ancient literary theory.The appendix makes a detailed annotation on Songnian’s "Yi Yuan on Painting".