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Zhiyong’s Calligraphy Was Accepted In The Song Dynasty

Posted on:2024-01-02Degree:MasterType:Thesis
Country:ChinaCandidate:H Y NiuFull Text:PDF
GTID:2555307157464104Subject:Arts
Abstract/Summary:PDF Full Text Request
Shi Zhiyong is a calligrapher of Chen and Sui in the Southern Dynasty.The seventh grandson of Wang Xizhi,a calligrapher of the Jin Dynasty.Because of living in Yongxin Temple,he is called "Yongzen Master".Its handwriting includes the cursive script "Chang Shi Tie","Yue Yi","Joining the Army Tie",etc.,and the handed down ink is "True Grass Thousand Words".Zhiyong’s special position in the "Wang Zi" system made it widely copied in the Song Dynasty,where the right army’s handwriting was scarce.Therefore,Zhiyong entered the central position of the orthodoxy of calligraphy in the Song Dynasty.The text discusses the acceptance of Zhiyong’s calligraphy in the Song Dynasty,mainly focusing on its style,evaluation,the spread of calligraphy works in the Song Dynasty,the adoption of the method,and the collection,etc.,with the intention of explaining the acceptance of Zhiyong’s calligraphy in the Song Dynasty under the background of "king worship".The first chapter mainly explores and discusses the way of spreading Zhiyong’s calligraphy,and emphasizes the promotion of the acceptance of Zhiyong’s calligraphy by the change of the way of calligraphy study and the method of taking after the rise of the inscription in the Song Dynasty.The second chapter mainly discusses the theoretical cognition of Zhiyong’s calligraphy in the Song Dynasty and the study of its calligraphy evaluation.Compared with the evaluation in the Tang Dynasty,it explores the deep reasons for the transformation of Zhiyong’s book review,which is typical of the Tang and Song Dynasties,in order to better understand the acceptance of Zhiyong in the Song Dynasty.The third chapter focuses on the examples of the calligraphers of the Song Dynasty who took the method of Zhiyong’s calligraphy and the results of taking the method.The fourth chapter summarizes and analyzes the social conditions and aesthetic origin of Zhiyong’s acceptance,and expounds that under the good acceptance atmosphere of "combination of Zen and calligraphy",Zen and calligraphy have reached a perfect integration state.
Keywords/Search Tags:Zhiyong calligraphy, Song Dynasty, reception and dissemination, recognition and influence of calligraphy and calligraphy theory
PDF Full Text Request
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