| Taking traditional Chinese folk music as the material and grafting it with modern and contemporary composition techniques for creative activities is a common composition language in Chinese national orchestras in recent years.Many composers pay attention to it.At the same time,the creative concept closely related to the words "localization" and "mother tongue" provides a new path for the "individualized" development of national orchestral music,so it is favored by composers and integrates them into their own different methods.Among the creations,a large number of influential national orchestral works have been produced.In the original work "Puxian Paint",the author mainly adopts the mother tongue culture that accompanied the author’s growth-Puxian’s "Shiyin Bayue" as the music material,and uses modern composition techniques to melt and temper it into a national orchestral music.work.The purpose of the creation of this work is to express the artistic culture and unique customs of Puxian area by citing the distinctive regional folk music of "Shiyin Bayue" as the keynote.At the same time,the author always believes that adhering to and inheriting traditional Chinese art and culture is an important mission of any music creator or theoretical researcher,and a necessary condition for embodying and promoting the confidence of Chinese culture.Therefore,on the basis of the creative conception of the works,this article intends to integrate the original materials with the national orchestral music by analyzing the four aspects of pitch,rhythm,melody and timbre in the works,and adopt various modern techniques of composition for further processing.,to strive for personalized breakthroughs and attempts,so as to reflect the originality,nationality and novelty of the works,that is,to give a detailed explanation and presentation of the creative thinking of the works,and to provide reference and ideas for the creation of contemporary national orchestral music. |