From the perspective of the Confucian view of freedom,this paper interprets the Erhu song "Sing in Idle Residence" and the performance of the work.The article is divided into two parts.The first part analyzes Mr.Liu Tianhua’s poor and unyielding attitude towards his country,his creative ideas and his personality voice.The second part interprets the performance techniques and phonology of the work,in which the performance techniques include bowing,speed and strength,overtone;Phonology includes glide,knead and vibrato;It includes music reading,practice and performance.The significance of this paper is conducive to the understanding and improvement of performance,to the inheritance and communication across time and space,and to highlight the contemporary value of musicians and works. |