Study On The Aesthetic Characteristics And Application Of Digital Long Lens

With the continuous development of digital technology,we have entered the digital era,and more and more image works are using digital technology to achieve unique personal expression.The lens,as the most basic language in the image,has also undergone great changes in the way it is generated.In the digital context,it seeks the innovation and breakthrough of aesthetic characteristics and application techniques.Through the study of the aesthetic characteristics of digital long shot and the application of relevant typical cases,this paper systematically summarizes its characteristics and application methods,and practices them in graduation creation,so as to explore more possibilities of artistic expression of digital long shot.This paper first determines the scope of the long shot of the study,and points out that the audience still feels subjectively that it is a complete and continuous long shot after the "blessing and processing" of digital technology.Secondly,based on the theory of traditional long shot from philosophical truth to psychological truth and then to artistic truth,this paper discusses the "authenticity" of digital long shot,and concludes that digital long shot has two sides of falsehood and authenticity,but it pays more attention to "the truth of feeling".Thirdly,the core part of the paper is about the spectacle characteristics and cross-media spatial characteristics of digital long shot.First,it systematically explains the four major manifestations of the spectacle characteristics,namely,the construction of image space,the compression and expansion of time,the seamless internal montage and the organic unity of rhythm,and then analyzes its technical methods and aesthetic performance in combination with targeted case works,It is concluded that compared with traditional long shot,digital long shot can break the limits of physical space and time in aesthetics,and has greater artistic expressiveness in terms of visual effects,element scheduling,narrative advancement and formal aesthetic sense of rhythm.Then from the perspective of the composition of digital long shot,it has the characteristics of cross-media space,that is,it is brought about by its "digital synthesis" attribute.With the characteristics of motion image combined with the use of digital image works,it summarizes the characteristics of non-narrative expression of motion image,and then on the basis of the theory of "Andre Bazan" long shot polysemy,Then,it sums up the polysemy limitation brought by the "synthetic and integrated manipulation" of digital long shot.Finally,combined with the graduation creation practice,it is expected to provide theoretical text for the related research of digital long shot and seek more possibilities for the creation practice.