The Application Of Ink Language In Flower And Bird Painting In Freehand Figure Painting

With the progress of history and the development of the times,the diversified development of contemporary Chinese freehand figure painting has become inevitable.Under the impact of western modern concepts,at the beginning of the 20 th century,the introduction of the concept of western realistic painting fostered a trend of advocating western art in the painting world,which to some extent also weakened the traditional cultural connotation and aesthetic awareness of our nation.In such a historical and artistic context,how to grasp the relationship between foreign culture and traditional culture is the question we are thinking about.Based on the principle of basing on tradition,integration of China and the West,pay attention to the contemporary,focus on the future of the principle,through the study of flower-bird painting pen and ink language to find freehand figure painting and flower-bird painting in common.This paper discusses the application of flower and bird painting pen and ink language in freehand figure painting from five aspects.In the introduction,this paper analyzes the source and significance of this topic,and expounds the literature used for reference in this paper,and formulates the research methods.The second part expounds the historical necessity of freehand figure painting for flower and bird painting.First,the inheritance of traditional culture,through the image modeling,spatial graphic structure,expression of language,the way to express emotion these four aspects are analyzed.Second,some reflection on the development of Chinese painting and the importance of strengthening national characteristics.The third part expounds the application of flower and bird painting pen and ink technique in freehand figure painting,respectively,from the point method,hook method,splash ink method,broken ink method as the main typical technique.The fourth part expounds the aesthetic implication of flower and bird painting pen and ink,in order to explore the influence of aesthetic implication in flower and bird painting pen and ink on freehand figure painting.The fifth part makes a general summary of the full text,recognizing the importance of the use of traditional flower and bird pen and ink language in the context of contemporary pluralistic society.