The Viewpoint Of Freehand Brushwork In Contemporary Meticulous Flower-and-bird Painting

The independent branch of meticulous flower-and-bird painting is the product of the interdependence between man and nature.The "freehand view" of contemporary meticulous flower-and-bird painting is the idea born under the traditional Chinese aesthetic thought,which is the swordsman inadvertently pushed the "freehand view" of Chinese meticulous flower-and-bird painting to the aesthetic peak.This paper explores the freehand view in the contemporary meticulous flower and bird painting,which focuses on practice.The contemporary freehand view is a fusion of the characteristics of The Times and spiritual civilization,and expounds that the freehand view is the concept expression of the freehand spirit in Chinese painting.It focuses on the historical research of meticulous flower-and-bird painting and the inheritance and innovation of other famous artists,takes exploring the freehand view contained in it as the main route,combs the influence and innovation of freehand view in different periods on contemporary meticulous flower-and-bird painting,and draws the useful painting language and experience for the creation of meticulous flower-and-bird painting.It plays a positive role to further understand the freehand view of contemporary meticulous flower and bird painting.As early as the early 20 th century,some people put forward this problem to break the stereotype of traditional freehand brushwork in people’s minds.Therefore,the form of "freehand brushwork" in contemporary meticulous brushwork is an aesthetic concept in traditional Chinese meticulous brushwork.It is not a simple distinction between brush and ink and techniques.