A Study On The Aesthetic Connotation Of Taihua's "Little Poetry Mill

The Taihua "Small Poetry Mill" is a vibrant team of Thai Chinese poetry creators formed in 2003,known for creating small poems within six lines.It is the third highlight of Taihua literature after inheriting prose and micro novels.The poetry of the "Little Poetry Mill" inherits the aesthetic tradition of classical Chinese poetry and also inherits the aesthetic trends of poetry from the May Fourth period,such as Bing Xin and Zong Baihua.The intersection of ancient and modern times has formed a unique modern Chinese small poem.Its unique aesthetic style not only broadens people’s understanding of small poetry within Southeast Asia,but also injects new elements into the development of modern new poetry in the world’s Chinese literary world.This article is divided into four chapters to discuss and analyze the aesthetic connotations of "Little Poetry Mill".The first chapter introduces the beauty of classical culture in the "Little Poetry Mill".Chinese poetry itself has the stylistic and aesthetic characteristics of Chinese classical significance.This chapter explores the countless connections between the "Little Poetry Mill" small poetry and Chinese classical culture from three aspects: the beauty of allusions,the beauty of lyricism,and the beauty of artistic conception;The second chapter discusses the beauty of memory pursuit in the "Little Poetry Mill".Although the poetry in the "Little Poetry Mill" has a wide range of themes and rich content,"homesickness" is still an eternal theme.This chapter explores the homesickness and cultural belonging of Thai Chinese writers from two aspects: "hometown memory and homesickness aesthetics" and "spatial displacement and exile forms";The third chapter discusses the aesthetics of life in the "Little Poetry Mill".The special cultural identity of its poetry audience has led to their poetry creation pouring into the contemplation of life.This chapter focuses on the individual life perception of the poets,exploring their examination and criticism of life issues;The fourth chapter discusses the philosophical beauty in the "Little Poetry Mill" small poetry,starting with the philosophical small poetry and exploring the philosophical implications and Zen beauty contained therein.This paper focuses on the research of Taihua’s "Little Poetry Mill",explaining and demonstrating the aesthetic connotations in the works of the "Little Poetry Mill".Taking the representative works of the "Small Poetry Mill" poet group as the core case,and combining classical poetry and the small poetry creations of May Fourth writers,this study examines their similarities and differences.The poetry of the "Little Poetry Mill" is like a cultural bridge,which not only promotes the development of Sino Thai friendship,but also achieves the connection and integration of classical and modern,showcasing unique charm and value in the international Chinese poetry community.It sets itself apart in the world of Chinese literature and opens up a new path for the development of Chinese poetry in the world.Therefore,the poetry of "Little Poetry Mill" deserves our continued attention.